Old furniture is delightful in your home because it is old. Age has an
alchemy of its own that ennobles the work of man. A brand-new house is
deadly unromantic, even if it is a dream of architectural excellence.
Its appearance is garish and crude. New stones and raw bricks are ugly
in the days of their youth, but age transforms the place, be it
manor-house or thatched cottage, until enchantment haunts the fabric. I
dearly love the grace of antiquity that mellows the venerable homesteads
of England and blends the intermingling lustre of tradition with the
roll of their lengthening years.
Age likewise has a mellowing influence on furniture. Obliteration of
exactitude of form is essential charm in it as it is in a man or woman.
You resent the loudness of a newly made rich man. His manners smell
strongly of varnish just put on; his vanity and self-importance are
unsavoury morsels to swallow without salt. He is a terror to his polite
neighbours and a stranger to himself. Wait and see; he will tone down
as the mills of life grind off the sharp angles and smooth him into a
decent fellow.
Good taste resents primness and self-assertiveness in new furniture; its
raw outlines and sharp angles offend the eye. When these stubborn
features are subdued by centuries of wear and tear and the wondrous
old-time bloom of rich deep colour glorifies the ripened oak with
softness and transparency of tone, that quality so delightful to sight
and touch which distinguishes genuine antique furniture, then
sentimental feeling waxes strong and renders the work attractive to us.
Vague and visionary thoughts of past owners flit across the mind, and
kindle emotions in the presence of an ancient piece of furniture of good
repute. It idealizes in our minds, and becomes beautiful to us. It is
a call of the past. It is an unwritten chapter in some old family
history, and we want to handle the key of the legend locked up in it.
There may be tragedy or comedy, or a mixture of both, recorded in the
family log-book, and the stately old carved-oak court cupboard dozing in
the banqueting-hall, generation after generation, saw it all through
from beginning to end, but it whispers away no family secrets to
inquisitive people. An evil day broke the family fortunes. The
venerable court cupboard vacated its place of honour which it occupied
for centuries in the Yorkshire manor-house, and has taken up quarters
with us in our Sussex home. It is no longer mere chattel; there is
human interest in it.
Public-domain text, read in full here on John Shaqi.
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