The religious feeling which pervades every page of the “Freedom of a
Christian Man” is, if anything, overdone. In what Luther there says we
see the outpourings of one whose religious views are quite peculiar,
and who is bent on bringing the Christian people to see things in
the same light as he does; deeply imbued as he is with his idea of
salvation by faith alone, and full of bitterness against the alleged
disfiguring of the Church’s life by meritorious works, he depicts his
own conception of religion in vivid and attractive colours, and in
the finest language of the mystics. It is easy to understand how so
many Protestant writers have been fascinated by these pages, indeed,
the best ascetic writers might well envy him certain of the passages
in which he speaks of the person of Christ and of communion with Him.
Nevertheless, a fault which runs through the whole work is, as already
explained, his tendency to narrow the horizon of religious thought
and feeling by making the end of everything to consist in the mere
awakening of trust in Christ as our Saviour. Ultimately, religion to
him means no more than this confidence; he is even anxious to exclude
so well-founded and fruitful a spiritual exercise as compassion
with the sufferings of our crucified Redeemer, actually calling it
“childish and effeminate stupidity.”[91] How much more profound and
fruitful was the religious sentiment of the genuine mystics of the
Church, whom the contemplation of the sufferings of Christ furnished
with the most beautiful and touching subject of meditation, and who
knew how to find a source of edification in all the truths of faith,
and not only in that of the forgiveness of sins. Writers such as they,
described to their pious readers in far greater detail the person
of Christ, the honour given by Him to God and the virtues He had
inculcated.
The booklet “To the Nobility,” likewise, particularly in the Preface,
throws a strange sidelight on the pietism of the so-called great
Reformation works.
Public-domain text, read in full here on John Shaqi.
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