Even in his devotion to his studies and in his manner of writing on
learned subjects his natural extravagance stands revealed. His love
for study was all passion; his mode of thought and expression was
simply grotesque. It was the young monk’s passion for learning which
led him on the occasion of his visit to Rome to petition the Pope to
be allowed for a term of several years to absent himself from home
and devote himself in the garb of a secular priest to his studies
at the Universities. At Wittenberg we find him in the refectory pen
in hand in the silent watches of the night when all the other monks
had gone to rest, and, in his excited state, he fancies he hears the
devil making an uproar. Though, according to his admission of Oct. 26,
1516, he was so busy and overwhelmed with literary work, as “rarely to
have time to recite the Hours or to say Mass,”[723] yet he still had
time enough to inveigh against the “sophists of all the Universities”
as he had, even then, begun to term the professors of his day. He
professed his readiness, were it necessary, to find time to go to
Erfurt in order to defend in a public disputation there the Theses set
up at Wittenberg in his name by his pupil Franz Günther; the Erfurt
Augustinians were not to denounce these propositions as “paradoxical,
or actually cacodoxical,” “for they are merely orthodox.” “I wait
with eagerness and interest to see what they will put forward against
these our paradoxes.”[724] In April, 1517, when Carlstadt caused some
commotion by publishing his erroneous views on nature and grace in
152 theses, Luther called them in one of his letters the paradoxes
of an Augustine, excelling the doctrine in vogue as much as Christ
excels Cicero; there were some who declared these propositions to be
paradoxical rather than orthodox, but this was “shameless insolence”
on the part of men who had studied and understood neither Augustine
nor Paul; “to those who understand, however, the theses ring both
pleasantly and beautifully, indeed to me they seem to have an
excellent sound.”[725]
His restless style and love of emphasis is characteristic of his own
inner restlessness and excitement. He himself was quite aware of
the source of this disquiet, at least so far as it was the result
of a moral failing. In 1516 he lays his finger deliberately on his
besetting fault when he admits to a friend, that the “root of all
our unrest is nowhere else to be found than in our belief in our own
wisdom”; “I have been taught by my own experience! Oh, with how much
misery has this evil eye [belief in my own wisdom] plagued me even to
this very day!”[726]
Public-domain text, read in full here on John Shaqi.
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