From all the above it is plain that there is good reason for not
accepting the extravagant statement that Luther’s writings on education
constitute the “charter of our national schools.” Others have extolled
him as the founder of the “Gymnasium” on account of his reference in
these works to the Latin schools. But even this is scarcely true, for, in
them, the author either goes beyond the field covered by the Gymnasium or
else fails to reach it. The Protestant pastor, Julius Boehmer, says in
the popular edition of Luther’s works:[63] “It will not do to regard the
work (”An die Radherrn“) as the ‘Charter of the Gymnasium,’ as has often
been done, seeing that, as stated above, it is concerned with both the
Universities and the lower-grade schools.”[64]
As to attendance at the Universities, of which Luther also speaks, he
asks the authorities to forbid the matriculation of any but the “clever
ones,” though among the masses “every fellow wanted a doctorate.”[65]
What he says of the various Faculties at the Universities is also
noteworthy. With the object of reforming philosophy and the Arts
course he wishes that of all the writings of Aristotle, that blind
heathen master, who had hitherto led astray the Universities, only the
“_Logica_,” “_Rhetorica_” and “_Poetica_” should be retained; “the
books: ‘_Physicorum_,’ ‘_Metaphysicæ_,’ ‘_De anima_’ and ‘_Ethicorum_’
must be dropped”; curiously enough these are the very works on which
Melanchthon was later on to bestow so much attention. We know how hateful
Aristotle was to Luther, because, in his heathen way, he teaches nothing
of grace and faith, but, on the other hand, extols the natural virtues.
Luther’s impulsive and unmethodical mode of thought was also, it must be
said, quite at variance with the logical mind of the Stagirite.
According to Luther “artistic education must be wholly rooted out as a
work of the devil; the very most that can be tolerated is the use of
those works which deal with form, but even these must not be commented on
or explained.”[66]
Public-domain text, read in full here on John Shaqi.
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