Lux Mundi: A Series of Studies in the Religion of the Incarnation,: 10th Edition, 1890
Religion
Lux Mundi: A Series of Studies in the Religion of the Incarnation,: 10th Edition, 1890
Christianity; Incarnation
it in the outer world, has ceased to be accepted or trusted. The
habitual ways of argument, the accepted assumptions, which they had
hitherto used as their supports and their instruments--have been
withdrawn--have become obsolete. Faith is thrown back on itself, on
its own inherent, naked vitality; it is robbed for the moment of that
sense of solidity and security, which fortifies and refreshes it, when
the outer world of natural facts, and the inner world of intellect and
fancy, all corroborate its confidence in itself, by harmonious
attestations of its validity. The old world of things had been brought
into this adaptation with the principles of belief. Faith was at home
in it, and looked out over it with cheerfulness, and moved about it
with freedom. But that old world is gone; and the new still lies
untested, unsorted, unverified, unassimilated, unhandled. It looks
foreign, odd, remote. Faith finds no obvious corroborations in it:
there, where it used to feel buttressed and warm, it now feels chilly
and exposed[53].
This is the first consequence, and it is serious enough in itself to
provoke alarm. Faith cannot be at ease or confident, until the outer
world responds to its own convictions; and yet ease and confidence are
exactly what it is challenged to exhibit.
And then, when a man, under this sense of fear, deprived of external
testimonies, attempts to exhibit, to evoke, to examine, his inner
conviction, in its inherent and vital character, as it is in itself,
unsupported by adventitious aids, he is astonished at his own
difficulty in discovering or disclosing it. Where is it all fled--that
which he had called his faith? He had enjoyed it, had relied on it,
had again and again asserted it in word and deed: and now, when he
wants to look at it, when he is summoned to produce it, when he is
challenged to declare its form and fashion; he finds himself dazed,
bewildered, searching helplessly for that which ever escapes him,
grasping at a fleeting shadow, which baffles his efforts to endow it
with fixity and substance. And, so finding, he grows yet more
desperately alarmed: it seems to him that he has been self-deceived,
betrayed, abandoned. He is bitterly sensitive to the sharp contrast
between the triumphant solidity with which scientific facts bear down
upon him, certified, undeniable, substantial, and the vague, shifty,
indistinct phantom, into which his conviction vanishes as soon as he
attempts to observe it in itself, or draw it out for public
inspection.
Public-domain text, read in full here on John Shaqi.
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