"There's a big three-masted ship being taken down the Channel by a small steamer." "Ah! then I reckon that's the 'Anna,' 'cause Joe said 'twas tolerable certain they'd be in tow of a tug." "You can see the smoke on the edge of the sea. Look below it." He handed the glasses to her again and heard a little laugh of delight break from her lips. The surprise of the suddenly-magnified spectacle, visible only as a shadow to the naked eye, brought laughter; and Barron, now that the girl's attention was occupied, had leisure to look at her. She was more than a pretty cottage maid, and possessed some distinction and charm. There was a delicacy about her too--a sweet turn of lip, a purity of skin, a set of limb--which gave the lie to her rough speech. She was all Saxon to look at, with nothing of the Celt about her excepting her name and the old Cornish words upon her lips. Those he rejoiced in, for they showed that she still remained a free thing, primitive, innocent of School Boards, or like frost-biting influences. Barron took mental notes. Joan Tregenza was a careless young woman, it seemed. Her dress had a button or two missing in front, and a safety-pin had taken their place. Her drab skirt was frayed a little and patched in one corner with a square of another material. But the colors were well enough, from the artist's point of view. He noted also that the girl's stockings were darned and badly needed further attention, for above her right shoe-heel a white scrap of Joan was visible. Her hands were a little large, but well shaped; her pose was free and fine, though the field-glasses spoiled the picture and the sun-bonnet hid the contour of her head. "So you walked out from Mouzle to see the last of Joe's ship?" he asked, quite seriously and with no light note in his voice. "From Newlyn. I ed'n a Mouzle maid," she answered. "Is the 'Anna' coming home again soon?" "No, sir. Her's bound for the Gulf of Californy, round t'other side the world, Joe sez. He reckons to be back agin' come winter." "That's a long time." "Iss, 'tis." But there was no sentiment about the answer. Joan gazed without a shadow of emotion at the vanishing ship, and alluded to the duration of her sweetheart's absence in a voice that never trembled. Then she gave the glass back to Barron with many thanks, and evidently wanted to be gone, but stopped awkwardly, not quite knowing how to depart. Meanwhile, showing no further cognizance of her, Barron took the glasses himself and looked at the distant ship. "A splendid vessel," he said. "I expect you have a picture of her, haven't you?" "No," she answered, "but I've got a lil ship Joe cut out o' wood an' painted butivul. Awnly that's another vessel what Joe sailed in afore." "I'll tell you what I'll do," he said, "because you were good enough to explain all about the fishing-boats. I'll make a tiny picture of the 'Anna' and paint it and give it to you." But the girl took fright instantly.