Among Cornish drifters Gray Michael's position was undoubtedly unique, for
under the rules of the Cornish fishery he enjoyed exceptional advantages
owing to his personal possession both of boat and nets. The owner of a
drift-boat takes one-eighth part of the gross proceeds of a catch, and the
remaining seven-eighths are divided into two equal parts of which one part
is subdivided among the crew of the boat, while the other goes to the owner
or owners of the nets used on board. The number of nets to a boat is about
fifty as a rule, and a man to possess his own boat and outfit must be
unusually well-to-do.
But it was partly for this reason that Mrs. Tregenza refused to be
comforted. She grudged every farthing spent on anything, and much disliked
the notion of tramping to Penzance to expend the greater part of a
five-pound note on Tom's sea outfit. In a better cause she would not have
thought it ill to expend money upon him. His position pointed to something
higher than a fisherman's life. He might have aspired to a shop in the
future together with a measure of worldly prosperity and importance not to
be expected for any mere seafarer. But Tom had settled the matter by
deciding for himself, and his father had approved the ambition, so there
the matter ended, save for grumbling and sighing. Joan, too, felt sore
enough at heart when she heard that the long-dreaded event lay but a
fortnight in the future. But she knew her father, and felt sure that the
certainty of Tom's going to sea at the appointed time would now only be
defeated by death or the Judgment Day. So she did not worry or fret.
Nothing served to soothe her stepmother, however, and the girl was glad to
slip off after dinner, leaving Thomasin with her troubles.
Joan made brisk way through Mousehole and in less than an hour stood out
among the furzes in the little lonely theater above the cliffs. For a
moment she saw nothing of John Barron, then she found him sitting on a
camp-stool before a light easel which looked all legs with a mere little
square patch of a picture perched upon them. Joan walked to within a few
yards of the artist and waited for him to speak. But eye, hand, brain were
all working together on the sketch before him, and if he saw the visitor at
all, which was doubtful, he took no notice of her. Joan came a little
closer, and still John Barron ignored her presence. Then she grew
uncomfortable, and, feeling she must break the silence, spoke.
"I be come, sir, 'cordin' to what you said."
He added a touch and looked up with no recognition in his eyes. His
forehead frowned with doubt apparently, then he seemed to remember. "Ah,
the young woman who told me about the luggers." Suddenly he smiled at her,
the first time she had seen him do so.
"You never mentioned your name, I think?"
"Joan Tregenza, sir."
"I promised you a little picture of that big ship, didn't I?"
"You was that kind, sir."
Public-domain text, read in full here on John Shaqi.
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