"Not he. 'Tis a mistake in nine painted corpses out of ten. If you want to paint a drowned man, wait till you've seen one close. That sailor in the seaweed's asleep. Sleep is graceful, remember; death by drowning is generally ugly--stiff, stark, hideous, eyeless, fish-gnawed a week after the event. But what does it matter? You've painted a great picture. That sea, with the circular swirl, as each wave goes back into the belly of the next, is well done; and those lumps of spume fluttering above watermark--that was finely noted. Easy to write down in print, but difficult as the fiend to paint. And the picture is full of wind too. Your troubles are amply repaid and I congratulate you. A man who could paint that will go as far as he likes." The simple Brady forgot the powder in swallowing the jam. Barron had touched those things in his work which were precious to him. His impulsive nature took fire, and there was almost a quiver of emotion in his big voice as he answered: "Damn it, you're a brick! I'd sooner hear you praise those lumps of sea-spume, racing over the sand there, than see my picture on the line." But sentiment was strange to John Barron's impersonal nature, and he froze. "Another fault exists which probably nobody will tell you but me. Your seaweed's great, and you knew it by heart before you painted it--that I'll swear to, but your sleeper there would never lie in the line of it as you have him. Reflect: the sea must float the light weed after it could move him no more. He should be stogged in the sand nearer the sea." Brady, however, contested this criticism, and so the talk wore on until the men separated. But the Irishman called on Barron after midday dinner and together they strolled through Newlyn toward the neighboring village. Chance brought them face to face with two persons more vital to the narrative than themselves, and, pausing to chronicle the event of the meeting, we may leave the artists and follow those whom they encountered. Gray Michael kept ashore on Sundays, and today, having come off the sea at dawn, was not again putting forth until next morning. He had attended meeting with his wife, his daughter and his son; he had dined also, and was now walking over to Mousehole that he might bring some religious comfort to a sorely stricken Luke Gospeler--a young sheep but lately won to the fold and who now lay at the point of death. Joan accompanied him, and upon the way they met John Barron and his companion. The girl blushed hotly and then chilled with a great disappointment, for Barron's eyes were on the sea; he was talking as he passed by, and he apparently saw neither her nor her Sunday gown; which circumstance was a sorrow to Joan. But in reality Barron missed nothing. He had shivered at her green dress and poor finery long before she reached him. Her garb ruffled his senses and left him wounded.