while on the tawny rocks glimmered snowy cotton splashed with a crimson turban; but the marvel of the work lay in the figures and the refraction of their brown limbs seen through crystal-clear water. The picture brought reputation to a man who cared nothing for it; and Barron's "Bathing Negresses" are only quoted here because they illustrate his method of work. He had painted from the sea in a boat moored fore and aft; he had kept the two women shivering and whining in the water for two hours at a time. They could not indeed refuse the gold he offered for their services, but one never lived to enjoy the money, for her prolonged ablutions in the cause of art killed her a week after her work was done. John Barren was a lonely sybarite with a real love for Nature and absolutely primitive instincts with regard to his fellow-creatures. The Land's End had disappointed him; he had found Nature neither grand nor terrific there, but sleepy and tame as a cat after a full meal. Nor did he derive any pleasure from the society of his craft at Newlyn. He hated the clatter of art jargon, he flouted all schools, and pointed out what nobody doubts now: that the artists of the Cornish village in reality represented nothing but a community of fellow-workers, all actuated indeed by love of art, but each developing his own bent without thought for his neighbor's theory. Barron indeed made some enemies before he had been in the place a week, and the greater lights liked him none the better for vehemently disclaiming the honor when they told him he was one of themselves. "The shape of a brush does not make men paint alike," he said, "else we were all equal and should only differ in color. Some of you can no more paint with a square brush than you can with a knife. Some of you could not paint though your palettes were set with Nature's own sunset colors. And others of you, if you had a rabbit's scut at the end of a hop-pole and the gray mud from a rain puddle, would produce work worth considering. You are a community of painters--some clever, some hopeless--but you are not a school, and you may thank God for it." John Barron was rough tonic, but the fearless little man generally found an audience at the end of the day in this studio or that. The truth of much that he said appealed to the lofty-minded and serious; his dry cynicism, savage dislike of civilization, and frank affection for Nature, attracted others. He hit hard, but he never resented rough knocks in return, and no man had seen him out of temper with anything but mysticism and the art bred therefrom. Upon the whole, however, his materialism annoyed more than his wit amused.