From Barnstaple to Dunster, and from Tiverton to Lynton, this beautiful
piece of country is peculiarly rich in literary associations. Nor is
this to be wondered at when we consider the variety and the loveliness
of the scenery, the great open, heathery wastes of Exmoor, the
wind-swept cliffs and highlands, the fair and luxuriant valleys where
the pure bright waters of these hill-fed streams flow through a green
tunnel of overarching trees, making a fertile paradise of flower and
fern in their course. And the magnificent bold rocks and forelands of
the coast, the streams broken into feathery spray falling down the
precipitous face of the cliffs, creek and gully and cave, the
wave-washed golden sands of the bays, or the line of foam fretting ever
at the foot of these granite crags. And beyond is the sea; from every
hilltop the eye turns to it, in the sheltered orchards the air is salt
with it, the thunder of its great breakers on the coast can be heard
far inland, an undercurrent beneath the singing of birds and the hum of
bees; it is never far from the eyes or from the mind, blue as faery
under a June sun, when the wheeling gulls are dazzling white flashes
above it, broken into greys and greens and purples by the sudden hail
of quick spring squalls, a heaving grey waste of waters under steady
rain, or a wild and elemental force, terrible and splendid, under the
fury of a gale.
It is a land for poets and dreamers, a land to touch the fancy and stir
the imagination of men, a land of beauty and of adventure.
It will not, therefore, be without interest to pick up thread after
thread by which the ports and hamlets, woods and waterfalls, are woven
into the history of our literature.
[Illustration: Dunkerry Beacon]
Public-domain text, read in full here on John Shaqi.
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