Ballads, English -- Texts; English poetry -- Early modern, 1500-1700; Songs, English -- England -- Texts
A shepherd in a shade his plaining made
Of love and lover's wrong
Unto the fairest lass that trod on grass,
And thus began his song:
"Since Love and Fortune will, I honour still
Your fair and lovely eye:
What conquest will it be, sweet Nymph, for thee
If I for sorrow die?
Restore, restore my heart again
Which love by thy sweet looks hath slain,
Lest that, enforced by your disdain,
I sing 'Fie on love! it is a foolish thing.'
"My heart where have you laid? O cruel maid,
To kill when you might save!
Why have ye cast it forth as nothing worth,
Without a tomb or grave?
O let it be entombed and lie
In your sweet mind and memory,
Lest I resound on every warbling string
'Fie, fie on love! that is a foolish thing.'
Restore, restore my heart again
Which love by thy sweet looks hath slain,
Lest that, enforced by your disdain,
I sing 'Fie on love! it is a foolish thing.'"
From THOMAS WEELKES' _Madrigals of Six Parts_, 1600.
A Sparrow-Hawk proud did hold in wicked jail
Music's sweet chorister, the nightingale,
To whom with sighs she said: "O set me free!
And in my song I'll praise no bird but thee."
The hawk replied, "I will not lose my diet
To let a thousand such enjoy their quiet."
From ROBERT JONES' _First Book of Airs_, 1601.
A woman's looks
Are barbed hooks,
That catch by art
The strongest heart
When yet they spend no breath;
But let them speak,
And sighing break
Forth into tears,
Their words are spears
That wound our souls to death.
The rarest wit
Is made forget,
And like a child
Is oft beguiled
With love's sweet-seeming bait;
Love with his rod
So like a God
Commands the mind;
We cannot find,
Fair shows hide foul deceit.
Time, that all things
In order brings,
Hath taught me how
To be more slow
In giving faith to speech,
Since women's words
No truth affords,
And when they kiss
They think by this
Us men to over-reach.
From THOMAS MORLEY's _First Book of Ballets to Five Voices_, 1595.
About the maypole new, with glee and merriment,
While as the bagpipe tooted it,
Thyrsis and Chloris fine together footed it:
And to the joyous instrument
Still they went to and fro, and finely flaunted it,
And then both met again and thus they chaunted it.
Fa la!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account