Authors, Swedish -- 19th century -- Biography; Lagerlöf, Selma, 1858-1940; Sweden -- Social life and customs -- 19th century
Here Anna and Johan stood up. They must go fetch a light, they said. It
was some little time before that light was brought.
“The sixteenth was called Mary. She was homely, and she used to say
she’d never be able to catch a parson or a gentleman; but she was that
eager to leave home she took up with a farm-hand, and went off and got
married.”
Mamselle Lovisa remained faithfully at her post, where she had gone
sound asleep; but this the _jungfru_ had not noticed.
“The seventeenth was hardly eighteen when she moved away from the
deanery. She used to help the missus write letters to all the brothers
and sisters; for that was more than any one body could do.”
The door opened ever so little and shut again.
“The eighteenth,” droned the _jungfru_, “was but fifteen when he
declared he was going to America because he couldn’t put up with so
many relatives.
“And number nineteen and twenty, they were only fourteen and thirteen
when I last saw them.”
At that moment Fru Lagerlöf came in with her knitting, Anna appeared
with the lamp, and Mamselle Lovisa awoke.
“Thanks, thanks, dear Jungfru Anna,” said Fru Lagerlöf. “We shall never
forget this. It has been so very instructive to me and my children.”
VI
THE BRIDAL-CROWN
MAMSELLE LOVISA LAGERLÖF used to dress the brides. Not all the girls in
the parish who married came to her to be decked, only the daughters of
the best peasant families. Some years there were two or three brides,
and some none at all.
Formerly, when Mårbacka was a parsonage, it had been the duty of the
pastor’s womenfolk to deck the brides, especially those who were to be
married in the church.
Mamselle Lovisa’s mother and maternal grandmother and great-grandmother
before her had performed this same service. It was an old custom which
had been handed down.
She had inherited all the old bridal trumpery which in the course of
time had accumulated at Mårbacka. She had a large old cupboard, in a
drawer of which were treasured long strings of glass, coral, and amber
beads, a collection of tortoise-shell combs that stood up eight inches
from the head, and half-round pasteboard forms, covered either with
stiff white satin or hand-painted flowers, in use at the period when
coifs were worn. She had also a high pasteboard bridal-crown, the
points of which were covered partly with gilt paper and partly with
pink-and-green taffeta. There were wreaths of artificial roses and
yards on yards of green satin ribbon sewn with flowers of pink satin.
In the same drawer there were Jenny-Lind-ringlets, to be fastened on so
as to fall against the face, hair pins with dangle-buttons, long
ear-pendants of imitation pearls, an assortment of brass brooches,
bracelets, and shoe buckles set with glass rubies, amethysts, and
sapphires.
Public-domain text, read in full here on John Shaqi.
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