taken hold of author's copy so queer that it's made you scratch your head and torn the paper t'other way up to see which is tops and which is bottoms, and then back again, for you've been as wise as ever. Talk about ants and bluebottles running over the paper with inky feet, that's nothing, sir. You've seen them painter-chaps, sir, graining the shetters of shops?" Septimus, seeing that he was expected to say something, roused himself from his brown study, and nodded. "Well," continued Matt, "you see they have what they call a tool, though it's only a flat brush made like a comb, and with that they make lines cross and across the panels, all about the same distance apart, and then they dab them lightly with a long soft brush to keep the grain from looking too stiff and hard. Well, I've had copy that's looked as if the author had used one of these tools dipped in ink, and streaked it across and across the paper, and then dabbed it, not with a very soft brush, but with a very hard one, shoving in, too, a few smears and blots, just to fill up as knots and specimens of cross-grain. Up one goes to the overseer and asks him to help you, giving the other men a side-grin at the same time. He takes it, looks at it, turns it over, and then can't make anything of it, though he won't say so; for overseers must of course seem to know everything. So he sticks it back in your hand, and says he, `Go and make the best you can of it; for I'm busy.' Well, you go back, and make the best you can of it; puzzles out one word, jumps at another, puts in two, and guesses two more, while you make a couple more out of the next line fit in somewhere after 'em; and so, one way or another, it gets scrambled up, and the proof goes to the reader, who cuffs his boy's head because he blunders so over the stuff he can't make head nor tail of, though he's as much bothered as his boy; while, though some of them are clever, intelligent fellows, some of those readers, sir, have about as much imagination as a mop. They're down upon a wrong letter, or bad pointing or spelling, and stick a big qy? against a bit of slack grammar, like lightning; but give 'em a take of stuff where the author goes a little out of the regular rut, and it bothers them as much as the bit of copy I'm talking about. Well, sir, corrections get made, and the proof is sent in to the author, who most likely don't know it again; but he sends it back so as one has a better chance of getting it together; and so it goes on, backwards and forwards, till it's all right, and they write `press' in one corner, when it's printed, and, as far as we're concerned, there's an end of it. Strange ways, ain't they, sir?" Septimus Hardon stared in a bewildered manner at the speaker, but did not answer. "Blest if I think he's heard a word I've said," muttered the old fellow. "Strange?" said Septimus, rousing himself; "yes, very."