Mad: A Story of Dust and AshesFenn, George Manville
General
Mad: A Story of Dust and Ashes
Fenn, George Manville
Fiction
Old Matt turned his back stolidly upon the luxuries of the cook-shop,
strolled into the big street, and began to nibble his small German, in
company with the dusty, fluey slice of bread he brought out of his
pocket. There was a parish pump there, with its swinging copper handle;
and regardless of medical reports, and chemical analyses, and cholera
germs contained in the clear, sparkling fluid, old Matt had a hearty
draught, and smacked his lips after as if he enjoyed it--and doubtless
he did. There was the prospect of a murky old inn down a gateway, and
the busy throng of people passing him; but Matt noticed nothing, for his
thoughts were upon matters in Bennett's-rents--though, for all that, he
was enjoying his simple meal, which was eaten without a thought of the
prime veal and bacon, or his sad complaint, which had now fled till next
dinner-time, as, by way of amusement, he turned down Castle-street to
witness the performance of a gentleman in tights and spangles--a
gentleman evidently high in his profession, but blessed with a nose of
the Whitechapel mould, black, greasy, tucked-under hair, confined by a
blue ribbon, slightly oiled; a pimply face, and a body apparently
furnished with gristle in the place of bones.
As Matt came up, the gentleman was balancing a peacock's feather upon
the tip of his nose, to the accompaniment of a popular air performed by
a partner upon drum and pan-pipes--the arrangement of the air apparently
necessitating more muscular action with the arms than from the lungs;
for though now and then a shrill and piercing note was heard from the
pipes, it was not often, while the rumble of the beaten drum was
incessant. The next performance was the balancing and twirling of a
barrel on the acrobat's feet, he all that time lying down upon a cushion
in a very uncomfortable, determination-of-the-blood-to-the-head
position, what time the band, tucking his pipes inside his coat and
setting his drum on end, came round the attentive circle, shaking the
performer's greasy, private-life cap in the observers' faces, after the
fashion of zealous deacons in churches of high proclivities--save that
in this case the cap was of very common cloth, while in the other the
little bags would probably be of red velvet, lined with white satin.
The band stopped opposite old Matt, who had loudly applauded the
performance, for he had felt so at peace with the world at large, that
he was in the humour to be pleased with any and everything. So the old
man thrust a willing hand into his pocket, and the band smiled
expectant; but the next moment Matt's face turned very serious, and with
the loud taunt of the band ringing in his ears, he shuffled down
Castle-street and into Cursitor-street, in the direction of the office
where he had a job; far more piercing than the shrillest note of the
pipes, and more impressive than the heaviest bang of the drum, came the
words of the musician:--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account