Madam Constantia : $b The romance of a prisoner of war in the revolution (South Carolina)Carter, Jefferson
History
Madam Constantia : $b The romance of a prisoner of war in the revolution (South Carolina)
Carter, Jefferson
South Carolina -- History -- Revolution, 1775-1783 -- Fiction; United States -- History -- Revolution, 1775-1783 -- Fiction
Clop, clop, went the horses’ hoofs. The same sound, yet how different to
my ears! The croak of frogs, the swish of the wind through the wild
mulberries, the murmur of the little rill we crossed—how changed was the
note in all! Deep gratitude, a solemn peace set me apart, and hallowed
my thoughts. How delicious seemed the darkness, how sweet the night
scents—no magnolia on the coast was sweeter!—how fresh the passing air!
But as water finds its level, so, soon or late, a man’s mind returns to
its ordinary course. Before we reached the house, short as was the
distance, other thoughts, and one in particular, took possession of me.
What face would the girl put on what had happened? How would she act?
How would she bear herself to them? And to me?
True, I had shielded her as far as lay in my power. I had given way to a
passing impulse and had lied; partly in order that her father might not
learn the full callousness of her conduct, partly because I wished to
see her punished, and I felt sure that no punishment would touch her
pride so sharply as the knowledge that I had been silent and had not
deigned to betray her. I wanted to see her punished, but even before
revenge came curiosity. How would she bear herself, whether I spoke or
were silent? Would she own the truth to her father? Would she own it to
Marion of whom, I suspected, she stood in greater awe? And, if she did
not, how would she carry it off? How would she look me in the face,
whether I spoke, or were silent?
As we drew up to the house the lighted windows still shone on the night,
and a troop of dogs, roused by our approach, came barking round us,
after the southern fashion. But no one appeared, no one met us;
doubtless the white men had ordered the negroes to keep to their
quarters. Wilmer, who was the first to reach the ground, helped me to
dismount. “But keep behind us a minute,” he said. “We need not give my
daughter a fright.”
I assented gladly, hugging myself; I was to see a comedy! I stood back,
and Marion and Wilmer mounted the porch and opened the door. Cries of
alarm greeted them, but these quickly gave place to exclamations of joy,
to cries of “Missie! Missie, he come! Marse Wilmer come!”
I pressed up to the doorway to see what was passing. Mammy Jacks was
pounding at the door of an inner room—doubtless her mistress’s. The
other women with the vehemence of their race were kissing the Master’s
hand and even his clothes. “Steady! Steady!” Wilmer was saying, “Don’t
frighten her!” And he raised his voice,
“Con, it’s I!” he cried. “All is well, girl. Here’s a visitor to see
you!”
Public-domain text, read in full here on John Shaqi.
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