Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
History
Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
In the opening pages of her _Recollections_ Mme. Adam has told,
with more vivid detail than is unhappily here possible, the story
of two generations of her ancestors. Her own career has not lacked
romance; but many of its most thrilling incidents pale beside the
experiences of her forbears. Tracing them back to the Napoleonic Wars,
she presents us with a lively picture of domestic history, which
is as far from being commonplace as it is possible to imagine. For
it embraces moving scenes of rapturous love affairs, extraordinary
marriages, a startling infidelity, quarrels about dowries, and the
story of a son who had a rare precocious experience. At the age of
nine, he found himself already disinherited and sent forth in the
world, cast upon the mercy of the family milkman, with whom he took
refuge. This juvenile outcast was Mme. Adam’s maternal grandfather,
of whom, under the name of Dr. Seron, we shall hear much more anon.
Only by unwavering persistence, and stern resolution did this unhappy
boy escape from his benefactor’s vocation. Tramping to Paris,
boots in hand, to save shoe-leather, he educated himself into the
medical profession and ultimately married Mme. Adam’s grandmother,
Pélagie Raincourt. Pélagie also was a highly romantic person, no
less remarkable than her husband. For on her wedding morning, as the
result of a family broil, by no means rare among Mme. Adam’s forbears,
she escaped in a pet from her mother’s house, and was found sitting
by the roadside, clad only in a nightcap and dressing-gown, by her
bridegroom, who had pursued her on horseback. Swinging her into the
saddle, in order to avoid further escapades, he carried her off to the
church and there married her out of hand. Her sole bridal adornment
was a white carnation, which a woman of the people pinned into her cap.
Juliette in later years was shown the cap and the carnation to
illustrate the story, which she heard from the runaway’s own lips.
Mme. Seron continued all her life addicted to romance. When it became
a question of marrying her daughter, Olympe, Mme. Adam’s mother, Mme.
Seron, a catholic, chose a son-in-law who was an agnostic, because she
was attracted by his appearance and his history. Jean Louis Lambert,
Mme. Adam’s father, had for the sake of his opinions sacrificed
brilliant ecclesiastical prospects, and from the prospective secretary
of the Archbishop of Beauvais had become an usher in the boys’
school opposite Mme. Seron’s house. This heroic youth was taken by
Mme. Adam’s grandmother, educated as a doctor, and married to the
reluctantly quiescent Olympe, who from that time forward adopted that
attitude of injured passivity which was expressed by her favourite
phrase “where you have tethered the goat there it will graze.”
Public-domain text, read in full here on John Shaqi.
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