M. Sucre is taciturn, dislikes society, looks like a mummy in his blue
cotton dress. He writes a great deal, (his memoirs, I fancy) with a
paint-brush held in his finger-tips, on long strips of rice-paper of a
faint gray tint.
Madame Prune is eagerly attentive, obsequious and rapacious; her
eye-brows are closely shaven, her teeth carefully lacquered with black
as befits a lady of gentility, and at all and no matter what hours,
she appears on all fours at the entrance of our apartment, to offer us
her services.
As to Oyouki, she rushes upon us ten times a day,--whether we are
sleeping, or dressing,--like a whirlwind on a visit, flashing upon us,
a very gust of dainty youthfulness and droll gayety,--a living peal of
laughter. She is round of figure, round of face; half baby, half girl;
and so affectionate that she bestows kisses on the slightest occasion
with her great puffy lips,--a little moist, it is true, like a
child's, but nevertheless very fresh and very red.
XV.
In our dwelling, open as it is all the night through, the lamps
burning before the gilded Buddha procure us the company of the insect
inhabitants of every garden in the neighborhood. Moths, mosquitoes,
cicalas, and other extraordinary insects of which I don't even know
the names,--all this company assembles around us.
It is extremely funny, when some unexpected grasshopper, some
free-and-easy beetle presents itself without invitation or excuse,
scampering over our white mats, to see the manner in which
Chrysanthème indicates it to my righteous vengeance,--merely pointing
her finger at it, without another word than "Hou!" said with bent
head, a particular pout, and a scandalized air.
There is a fan kept expressly for the purpose of blowing them out of
doors again.
XVI.
Here, I must own, that to the reader of my story it must appear to
drag a little.
In default of exciting intrigues and tragic adventures, I would fain
have known how to infuse into it a little of the sweet perfumes of the
gardens which surround me, something of the gentle warmth of the
sunshine, of the shade of these graceful trees. Love being wanting, I
should like it to breathe of the restful tranquillity of this far-away
suburb. Then, too, I should like it to reëcho the sound of
Chrysanthème's guitar, in which I begin to find a certain charm, for
want of something better, in the silence of the lovely summer
evenings.
All through these moonlit nights of July, the weather has been calm,
luminous and magnificent. Ah! what glorious clear nights, what
exquisite roseate tints beneath that wonderful moon, what mystery of
blue shadows in the thick tangle of trees. And, from the heights
where stood our verandah, how prettily the town lay sleeping at our
feet!
After all, I do not positively detest this little Chrysanthème, and
when there is no repugnance on either side, habit turns into a
make-shift of attachment.
XVII.
Public-domain text, read in full here on John Shaqi.
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