The summer rain has not yet refreshed the atmosphere. On account of the stormy heat, the little suburban houses have been left open like sheds, and we can see all that is going on. Lamps ever lighted burn before the altars dedicated to Buddha and to the souls of the ancestors; but all good Niponese have already lain down to rest. Under the traditional tents of bluish-green gauze, we can see them, stretched out in rows by whole families; they are either sleeping, or hunting the mosquitoes, or fanning themselves. Niponese men and women, Niponese babies too, lying side by side with their parents; each one, young or old, in his little dark-blue cotton night-dress, and with his little wooden block to rest the nape of his neck. A few houses are open, where amusements are still going on; here and there, from the somber gardens, the sound of a guitar reaches our ears, some dance giving in its weird rhythm a strange impression of sadness. Here is the well, surrounded by bamboos, where we are wont to make a nocturnal halt for Chrysanthème to take breath. Yves begs me to throw forward the red gleam of my lantern, in order to recognize the place, for it marks our half-way resting place. And at last, at last, here is our house! The door is closed, all is silent and black. Our panels have been carefully shut by M. Sucre and Madame Prune; the rain streams down the wood of our old black walls. In such weather it is impossible to allow Yves to return down hill, and wander along the shore in quest of a sampan. No, he shall not return on board to-night; we will put him up in our house. His little room has indeed been already provided for in the conditions of our lease, and notwithstanding his discreet refusal, we immediately set to work to make it. Let us go in, take off our boots, shake ourselves like so many cats that have been out in a shower, and step up to our apartment. In front of Buddha, the little lamps are burning; in the middle of the room, the night-blue gauze is stretched. On entering, the first impression is a favorable one; our dwelling is pretty, this evening, the late hour and deep silence give it an air of mystery. And then also, in such weather, it is always pleasant to get home. Come, let us at once prepare Yves' room. Chrysanthème, quite elated at the prospect of having her big friend near her, sets to work with a good will; moreover, the task is an easy one, we have only to slip three or four paper panels in their grooves, to make at once a separate room or compartment in the great box we live in. I had thought that these panels were entirely white; but no! on each of them is a group of two storks painted in gray tints in those inevitable attitudes consecrated by Japanese art: one bearing aloft its proud head and haughtily raising its leg, the other scratching itself. Oh these storks! how sick one gets of them, at the end of a month spent in Japan! Yves is now in bed and sleeping under our roof.