We meet a few belated laborers, who are returning from the fields with
bundles of tea upon their shoulders. These peasants have a half savage
air, half naked too, or clothed only in long robes of blue cotton; as
they pass, they salute us with humble bows.
No trees in this elevated region. Fields of tea alternate with tombs:
old granite statues which represent Buddha in his lotus, or else old
monumental stones on which gleam remains of inscriptions in golden
letters. Rocks, brushwood, uncultivated spaces, surround us on all
sides.
There are no more passers-by, and the light is failing. We will halt
for a moment, and then it will be time to turn our steps downwards.
But, close to the spot where we stand, a box in white wood provided
with handles, a sort of sedan-chair, rests on the freshly disturbed
earth, with its lotus of silvered paper, and the little incense-sticks
burning yet, by its side; clearly someone has been buried here this
very evening.
I cannot picture this personage to myself; the Japanese are so
grotesque in life, that it is almost impossible to imagine them in the
calm majesty of death. Nevertheless, let us move further on, we might
disturb him; he is too recently dead, his presence unnerves us. We
will go and seat ourselves on one of these other tombs, so unutterably
ancient that there can no longer be anything within it but dust. And
there, seated yet in the dying sunlight, while the valleys and plains
of the earth below are already lost in shadow, we will talk together.
I wish to speak to Yves about Chrysanthème; it is indeed somewhat in
view of this that I have persuaded him to sit down; but how to set
about it without hurting his feelings, and without making myself
ridiculous, I hardly know. However, the pure air playing round me up
here, and the magnificent landscape spread beneath my feet, impart a
certain serenity to my thoughts which makes me feel a contemptuous
pity, both for my suspicions and the cause of them.
We speak, first of all, of the order for departure which may arrive at
any moment, for China or for France. Soon we shall have to leave this
easy and almost amusing life, this Japanese suburb where chance has
installed us, and our little house buried among flowers. Yves perhaps
will regret all this more than I shall, I know that well enough; for
it is the first time that any such interlude has broken the rude
monotony of his hard-worked career. Formerly, when in an inferior
rank, he was scarcely more often on shore, in foreign countries, than
the sea-gulls themselves; whilst I have, from the very beginning, been
spoilt by residence in all sorts of charming spots, infinitely
superior to this, in all sorts of countries, and the remembrance
pleasurably haunts me still.
In order to discover how the land lies, I risk the remark:
"You will perhaps be more sorry to leave this little Chrysanthème than
I am?"
Silence reigns between us.
After which I pursue, and, burning my ships, I add:
Public-domain text, read in full here on John Shaqi.
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