We sleep on the floor, on a thin cotton mattress, which is unfolded
and laid out over our white matting. Chrysantheme’s pillow is a little
wooden block, cut so as to fit exactly the nape of her neck, without
disturbing the elaborate head-dress, which must never be taken down;
the pretty black hair I shall probably never see undone. My pillow,
a Chinese model, is a kind of little square drum covered over with
serpent-skin.
We sleep under a gauze mosquito-net of sombre greenish-blue, dark as the
shades of night, stretched out on an orange-colored ribbon. (These are
the traditional colors, and all respectable families of Nagasaki possess
a similar net.) It envelops us like a tent; the mosquitoes and the
night-moths whirl around it.
This sounds very pretty, and written down looks very well. In reality,
however, it is not so; something, I know not what, is lacking, and
everything is very paltry. In other lands, in the delightful isles of
Oceania, in the old, lifeless quarters of Stamboul, it seemed as if mere
words could never express all I felt, and I struggled vainly against
my own inability to render, in human language, the penetrating charm
surrounding me.
Here, on the contrary, words exact and truthful in themselves seem
always too thrilling, too great for the subject; seem to embellish it
unduly. I feel as if I were acting, for my own benefit, some wretchedly
trivial and third-rate comedy; and whenever I try to consider my home
in a serious spirit, the scoffing figure of M. Kangourou rises before
me--the matrimonial agent, to whom I am indebted for my happiness.
CHAPTER IX. MY PLAYTHING
July 12th
Yves visits us whenever he is free, in the evening at five o’clock,
after his duties on board are fulfilled.
He is our only European visitor, and, with the exception of a few
civilities and cups of tea, exchanged with our neighbors, we lead a very
retired life. Only in the evenings, winding our way through the steep,
narrow streets and carrying our lanterns at the end of short sticks,
we go down to Nagasaki in search of amusement at the theatres, at the
tea-houses, or in the bazaars.
Yves treats my wife as if she were a plaything, and continually assures
me that she is charming.
I find her as exasperating as the cicalas on my roof; and when I am
alone at home, side by side with this little creature twanging the
strings of her long-necked guitar, facing this marvellous panorama of
pagodas and mountains, I am overcome by sadness almost to tears.
CHAPTER X. NOCTURNAL TERRORS
July 13th.
Last night, as we reposed under the Japanese roof of Diou-djen-dji--the
thin old wooden roof scorched by a hundred years of sunshine, vibrating
at the least sound, like the stretched-out parchment of a tomtom--in the
silence which prevails at two o’clock in the morning, we heard overhead
a sound like a regular wild huntsman’s chase passing at full gallop.
“Nidzoumi!” (“The mice!”) said Chrysantheme.
Public-domain text, read in full here on John Shaqi.
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