Without saying a word, in a dignified manner, as if she were rectifying
an error of etiquette that I had inadvertently committed, Chrysantheme
takes up her piece of wood, putting in its place my snake-skin drum; I
shall therefore be in the middle between the two. It is really more
correct, decidedly more proper; Chrysantheme is evidently a very decorous
young person.
Returning on board next morning, in the clear morning sun, we walk
through pathways full of dew, accompanied by a band of funny little
mousmes of six or eight years of age, who are going to school.
Needless to say, the cicalas around us keep up their perpetual sonorous
chirping. The mountain smells delicious. The atmosphere, the dawning
day, the infantine grace of these little girls in their long frocks and
shiny coiffures-all is redundant with freshness and youth. The flowers
and grasses on which we tread sparkle with dewdrops, exhaling a perfume
of freshness. What undying beauty there is, even in Japan, in the fresh
morning hours in the country, and the dawning hours of life!
Besides, I am quite ready to admit the attractiveness of the little
Japanese children; some of them are most fascinating. But how is it that
their charm vanishes so rapidly and is so quickly replaced by the elderly
grimace, the smiling ugliness, the monkeyish face?
CHAPTER XXXV
THROUGH A MICROSCOPE
The small garden of my mother-in-law, Madame Renoncule, is, without
exception, one of the most melancholy spots I have seen in all my travels
through the world.
Oh, the slow, enervating, dull hours spent in idle and diffuse
conversation on the dimly lighted veranda! Oh, the detestable peppered
jam in the tiny pots! In the middle of the town, enclosed by four walls,
is this park of five yards square, with little lakes, little mountains,
and little rocks, where all wears an antiquated appearance, and
everything is covered with a greenish mold from want of sunlight.
Nevertheless, a true feeling for nature has inspired this tiny
representation of a wild spot. The rocks are well placed, the dwarf
cedars, no taller than cabbages, stretch their gnarled boughs over the
valleys in the attitude of giants wearied by the weight of centuries; and
their look of full-grown trees perplexes one and falsifies the
perspective. When from the dark recesses of the apartment one perceives
at a certain distance this diminutive landscape dimly lighted, the wonder
is whether it is all artificial, or whether one is not one's self the
victim of some morbid illusion; and whether it is not indeed a real
country view seen through a distorted vision out of focus, or through the
wrong end of a telescope.
Public-domain text, read in full here on John Shaqi.
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