Although the ladies are satisfied with my sketch, I am far from being so.
I have put everything in its place most exactly, but as a whole, it has
an ordinary, indifferent, French look which does not suit. The sentiment
is not given, and I almost wonder whether I should not have done better
to falsify the perspective--Japanese style--exaggerating to the very
utmost the already abnormal outlines of what I see before me. And then
the pictured dwelling lacks the fragile look and its sonority, that
reminds one of a dry violin. In the pencilled delineation of the
woodwork, the minute delicacy with which it is wrought is wanting;
neither have I been able to give an idea of the extreme antiquity, the
perfect cleanliness, nor the vibrating song of the cicalas that seems to
have been stored away within it, in its parched-up fibres, during
hundreds of summers. It does not convey, either, the impression this
place gives of being in a far-off suburb, perched aloft among trees,
above the drollest of towns. No, all this can not be drawn, can not be
expressed, but remains undemonstrable, indefinable.
Having sent out our invitations, we shall, in spite of everything, give
our tea-party this evening--a parting tea, therefore, in which we shall
display as much pomp as possible. It is, moreover, rather my custom to
wind up my exotic experiences with a fete; in other countries I have done
the same.
Besides our usual set, we shall have my mother-in-law, my relatives, and
all the mousmes of the neighborhood. But, by an extra Japanese
refinement, we shall not admit a single European friend--not even the
"amazingly tall" one. Yves alone shall be admitted, and even he shall be
hidden away in a corner behind some flowers and works of art.
In the last glimmer of twilight, by the light of the first twinkling
star, the ladies, with many charming curtseys, make their appearance.
Our house is soon full of the little crouching women, with their tiny
slit eyes vaguely smiling; their beautifully dressed hair shining like
polished ebony; their fragile bodies lost in the many folds of the
exaggerated, wide garments, that gape as if ready to drop from their
little tapering backs and reveal the exquisite napes of their little
necks.
Public-domain text, read in full here on John Shaqi.
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