Staël, Madame de (Anne-Louise-Germaine), 1766-1817
At last,
during an expedition to Vesuvius, Oswald speaks. He had been at one
time in love with an unworthy Frenchwoman; had lingered in France when
his father required his presence in England, and had finally returned,
only to find him dead. From that hour he had known no peace; remorse
had pursued him; his filial love, which was morbidly excessive, caused
him to look upon himself as almost a parricide, and he considered that
he was thenceforward morally bound to do nothing which his father might
disapprove. This absurd conclusion afflicts Corinne visibly, and the
sight of her agitation reawakens all Oswald’s doubts. He conjures her to
tell him her history. She consents; but begs for a few days’ grace, and
employs the interval in planning and carrying out a fête on Cape Misenum.
In front of the azure, tideless sea she takes her lyre and pours out an
improvisation on the past glories of that classic shore. This, although
Oswald does not know it, is an adieu to her past life, for she foresees
that what she has to tell him of herself will entirely change her
destiny. Either he will refuse to marry her, and then she will never know
happiness again, but wingless, voiceless, will go down to her tomb, or
else he will make her his wife, and the Sibyl will be lost in the peeress.
The next day she leaves with him the narrative of her youth. She is
the daughter of Lord Edgermond by an Italian wife, consequently the
half-sister of Lucile. At the age of fifteen she had gone to England,
and fallen under the rule of her stepmother, Lady Edgermond, a cold and
rigid Englishwoman, who cared for nothing outside her small provincial
town, and regarded genius as a dangerous eccentricity. In the narrow
monotony of the life imposed upon her Corinne nearly died. At the age
of twenty-one she finally escaped and returned to Italy, having dropped
her family name out of respect for Lady Edgermond’s feelings. Until her
meeting with Oswald she had led the life of a muse, singing, dancing,
playing, improvising for the whole of Roman society to admire, and had
conceived no idea of greater felicity until learning to love. This
love had been a source of peculiar torment to her from the fact of her
divining how much the unconventionality of her conduct, when fully known
to him, must shock Oswald’s English notions of propriety. In the first
moment, however, his love triumphs over these considerations, and he
resolves to marry Corinne. Only he wishes first—in order that no reproach
may attach to her—to force Lady Edgermond once again to acknowledge her
as her husband’s daughter. He goes to England, partly for this purpose,
partly because his regiment has been ordered on active service.
Public-domain text, read in full here on John Shaqi.
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