Staël, Madame de (Anne-Louise-Germaine), 1766-1817
In England he again meets Lucile, a cold-mannered, correct, pure-minded,
but secretly ardent English girl, with an odd resemblance in many ways
to a French _jeune fille_. He mentions the subject of her step-daughter
to the upright but selfish Lady Edgermond, who has set her heart on
seeing Oswald the husband of Lucile. She is too honorable to try and
detach him from Corinne by any underhand means, but does what she knows
will be far more effectual; that is, she makes him acquainted with the
fact that his father had seen Corinne in her early girlhood, had admired
her, but had strongly pronounced against the marriage proposed by Lord
Edgermond between her and Oswald. In the view of the late Lord Nelvil,
she was too brilliant and distinguished for domestic life. This is a
terrible blow to Oswald. He begins to think he must give up Corinne, and
is strengthened in the idea by perceiving that the beautiful and virtuous
Lucile is in love with him. Finally he marries her, decided at the last
by Corinne’s inexplicable silence. She has not answered his letters for
a month, and he concludes that she has forgotten him. But her silence is
owing to her having left Venice and come to England. She loses a whole
month in London, for very insufficient reasons—necessary, however, to the
story—and at last follows Oswald to Scotland just in time to learn that
he is married, to fall senseless on the road-side, and to be picked up by
the Count D’Erfeuil. She returns heart-broken to Italy, and dies slowly
through four long years of unbroken misery.
When she is near her end Oswald comes to Florence, accompanied by his
wife and child. He had begun to regret Corinne as soon as he had married
Lucile, who, on her side, being naturally resentful, takes refuge in
coldness and reserve. As soon as Lord Nelvil learns that his old love
is in Florence and dying he wishes ardently to see her, but she refuses
to receive him. He sends the child to her, and she teaches it some of
her accomplishments. Lucile visits her secretly, and is converted by her
eloquence to the necessity of rendering herself more attractive to her
husband by displaying some graces of mind.
At last Corinne consents to see Oswald once again, but it shall be, she
determines, in public. This is one of the most unnatural scenes in the
book. Corinne invites all her friends to assemble in a lecture hall.
Thither she has herself transported and placed in an arm-chair. A young
girl clad in white and crowned with flowers recites the Song of the Swan,
or adieu to life, which Corinne has composed, while Oswald, listening
to it and gazing on the dying poetess from his place in the crowd, is
suffocated with emotion and finally faints. A few days later Corinne
dies, her last act being to point with her diaphanous hand to the moon,
which is partially obscured by a band of cloud such as she and Lord
Nelvil had once seen when in Naples.
Public-domain text, read in full here on John Shaqi.
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