Staël, Madame de (Anne-Louise-Germaine), 1766-1817
She had been married but little more than a year when the first shadow
of coming events dimmed the lustre of her new existence. In a speech
pronounced at the Assembly of Notables in April 1787, M. de Calonne
impugned the accuracy of the famous _Compte Rendu_. M. Necker indignantly
demanded from the King the permission to hold a public debate on the
subject, in the presence of the Assembly before which he had been
accused. Louis XVI. refused; and M. Necker then immediately published a
memoir of self-justification. The result was a _lettre de cachet_ which
exiled him to within forty leagues of Paris. The order, conveyed by Le
Noir, the Minister of Police, reached M. Necker in the evening, when he
was sitting in his wife’s salon, surrounded by his daughter and some
friends. The liveliness of Madame de Staël’s indignation may be imagined.
She has described it herself in her _Considérations sur la Révolution
Française_, and declared that the King’s decision appeared to her an
unexampled act of despotism. Its parallel would not have been far to
seek, and acts a thousand times worse disgrace every page of the annals
of France. But Madame de Staël, always incapable of judging where the
“pure and noble” interests of her father were concerned, can be pardoned
for her exaggeration in this instance, as she had half France to share
it. “All Paris,” she says, “came to visit M. Necker in the twenty-four
hours that preceded his departure. Even the Archbishop of Toulouse,
already practically designated for M. de Calonne’s successor, was not
afraid to make his bow.”
Offers of shelter poured in upon M. Necker, and the best châteaux in
France were placed at his disposal. He finally elected the Châteaux de
Marolles, near Fontainebleau, although not, as he naïvely confesses in a
letter to his daughter, without some secret misgivings as to “the decided
taste in all things good and bad of dear mamma.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account