Staël, Madame de (Anne-Louise-Germaine), 1766-1817
Throughout the events preceding the _coup d’État_ of the 18th Fructidor,
Madame de Staël was keenly alive to the danger which threatened and
eventually overtook her friends among the Moderates. To act, in these
circumstances, was with her a second nature. Her relations with Barras
had naturally become very friendly; and she used her influence to obtain
the nomination of Talleyrand to the Ministry of Foreign Affairs. “His
nomination was the only part that I took in the crisis preceding the 18th
Fructidor, and which I hoped by such means to avert,” she wrote. “One was
justified in hoping that the intelligence of M. de Talleyrand would bring
about a reconciliation between the two parties. Since then I have not had
the least share in the different phases of his political career.”
There is a ring of disappointment in these words; but how could Madame de
Staël, with her supposed infallible insight, ever have believed in such
a nature?
“It is necessary to serve someone,” was the answer of a noble when
reproached for accepting the office of chamberlain to one of Napoleon’s
sisters. Madame de Staël records the reply with scorn; but she should,
one thinks, have recognized the fibre of just such a man in the Bishop of
Autun. The proscription extending on all sides after the 18th Fructidor,
Madame de Staël’s intervention became unceasing. She learnt the danger
incurred by Dupont de Nemours, according to her “the most chivalrous
champion of liberty” France possessed, and straightway she betook
herself to Chénier, who, two years previously, had made the speech to
which Talleyrand owed his recall. Her eloquence soon fired the nervous,
violent-natured, but imaginative author, and, hurrying to the tribune,
he succeeded in saving Dupont de Nemours, by representing him as a man
of eighty, whereas he was barely sixty. This device displeased the very
person in whose favor it was adopted; but Madame de Staël saved her
friends in spite of themselves.
Public-domain text, read in full here on John Shaqi.
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