Madame Firmiani acknowledged to twenty-five. But the Practicals proved that having married the invisible Firmiani (then a highly respectable individual in the forties) in 1813, at the age of sixteen, she must be at least twenty-eight in 1825. However the same persons also asserted that at no period of her life had she ever been so desirable or so completely a woman. She was now at an age when women are most prone to conceive a passion, and to desire it, perhaps, in their pensive hours. She possessed all that earth sells, all that it lends, all that it gives. The Attaches declared there was nothing of which she was ignorant; the Contradictors asserted that there was much she ought to learn; the Observers remarked that her hands were white, her feet small, her movements a trifle too undulating. But, nevertheless, individuals of all species envied or disputed Octave’s happiness, agreeing, for once in a way, that Madame Firmiani was the most aristocratically beautiful woman in Paris. Still young, rich, a perfect musician, intelligent, witty, refined, and received (as a Cadignan) by the Princesse de Blamont-Chauvry, that oracle of the noble faubourg, loved by her rivals the Duchesse de Maufrigneuse her cousin, the Marquise d’Espard, and Madame de Macumer,--Madame Firmiani gratified all the vanities which feed or excite love. She was therefore sought by too many men not to fall a victim to Parisian malice and its charming calumnies, whispered behind a fan or in a safe aside. It was necessary to quote the remarks given at the beginning of this history to bring out the true Firmiani in contradistinction to the Firmiani of society. If some women forgave her happiness, others did not forgive her propriety. Now nothing is so dangerous in Paris as unfounded suspicions,--for the reason that it is impossible to destroy them. This sketch of a woman who was admirably natural gives only a faint idea of her. It would need the pencil of an Ingres to render the pride of that brow, with its wealth of hair, the dignity of that glance, and the thoughts betrayed by the changing colors of her cheeks. In her were all things; poets could have found an Agnes Sorel and a Joan of Arc, also the woman unknown, the Soul within that form, the soul of Eve, the knowledge of the treasures of good and the riches of evil, error and resignation, crime and devotion, the Donna Julia and the Haidee of Lord Byron. The former guardsman stayed, with apparent impertinence, after the other guests had left the salons; and Madame Firmiani found him sitting quietly before her in an armchair, evidently determined to remain, with the pertinacity of a fly which we are forced to kill to get rid of it. The hands of the clock marked two in the morning. “Madame,” said the old gentlemen, as Madame Firmiani rose, hoping to make him understand that it was her good pleasure he should go, “Madame, I am the uncle of Monsieur Octave de Camps.”