Madame Flirt: A Romance of 'The Beggar's Opera'Pearce, Charles Edward
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Madame Flirt: A Romance of 'The Beggar's Opera'
Pearce, Charles Edward
Ballad opera -- Fiction; Fenton, Lavinia, 1708-1760 -- Fiction
"I know--I know," rejoined the poet hastily. "But I'm not thinking alone
of the booksellers. It is a 'place' I shall have and an annual income
that will sweep away all my anxieties."
"Then you're in favour with the Princess and her obedient servant Sir
Robert--or is Walpole her master? What will the Dean of St. Patrick and
Mr. Pope say to your surrender?"
"No, no. I will never write a word in praise of either. There's not a
word in the 'Fables' that can be twisted into bolstering up the
Government."
"And you think to receive your comfortable 'place' out of pure
admiration of your poetical gifts? My poor Gay!"
"No. Friendship."
"Well, well, you must go your own way or you wouldn't be a poet. I leave
you to your commendable work of rescuing damsels in distress."
And after refreshing himself with a pinch of snuff Bolingbroke with a
wave of the hand to Gay and his friends strode from the room leaving the
poet with his pleasant face somewhat overcast.
But his chagrin did not last long. His natural buoyancy asserted itself
and he beckoned to Lavinia who was sitting primly on the edge of the
hard chair, her folded hands resting on her lap. Before she could cross
the room Spiller and Leveridge took up Bolingbroke's argument, and urged
Gay not to meddle further in the matter.
"Nay, why should I not? It would be a shame and a pity that so much good
talent should be wasted on the groundlings of St. Giles. Besides, there
is the girl herself," Gay lowered his voice. "You wouldn't have her be
like Sally Salisbury, Jemmy, would you? She has a good and innocent
nature. It will be torn to tatters if she be not looked after now. No.
Neither you nor Dick Leveridge will talk me out of my intent. Do you see
what misguided youth may easily come to? Look at your friend Vane."
Gay pointed to the sleeping young man.
"I know--I know. The young fool," returned Spiller a little angrily.
"Wine is Lancelot Vane's only weakness--well, not the only one, any
pretty face turns his head."
"He's not the worse for that provided a good heart goes with the pretty
face."
"Aye, _if_."
"Look after him then. When he awakens from his drunken fit he'll be like
clay in the hands of the potters."
"Faith, you're right, Mr. Gay, but there's one thing that'll protect
him--his empty purse. I doubt if he has a stiver left. I know he drew
some money from the _Craftsman_ yesterday."
"What, does he write for that scurrilous, venomous print?" cried Gay,
visibly disturbed.
"Not of his own will. He hates the paper and he hates Amherst, who owns
it. But what is a man to do when poverty knocks at the door?"
"That may be. Still--I wish he had nothing to do with that abusive
fellow, Nicholas Amherst, who calls himself 'Caleb D'Anvers,' why I know
not, unless he's ashamed of the name his father gave him. Do you know
that the _Craftsman_ is always attacking my friends, Mr. Pope, Dr.
Swift, Dr. Arbuthnot? As for myself--but that's no matter."
Public-domain text, read in full here on John Shaqi.
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