Madame Margot: A grotesque legend of old CharlestonBennett, John
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Madame Margot: A grotesque legend of old Charleston
Bennett, John
Charleston (S.C.) -- Fiction; Fantasy fiction; Happiness -- Fiction; Mothers and daughters -- Fiction; Soul -- Fiction
The wind screamed round about her with the sound of many voices; far
off arose a tumult as of many people running; borne on the wind came a
torrent of hideous sound, not mad music, but awful dissonance, swiftly
nearing, suddenly checked: after the clamor a silence like death; the
room was fantastically still. Margot clung to the foot of the crucifix.
“_Pourquoi, O Dieu, rejettes-tu?_” she asked in a voice grown shriveled
and thin. She crouched a moment, motionless, her head on one side,
listening. There was no reply. Heaven maintained its brassy silence.
Her face went gray; her eyes were hard as stones; she turned her back
on the crucifix, saying, “I will call upon You no more!”
There was a queer shuffling sound as of footsteps in the entry. The
candles sank to dull blue sparks devoid of radiance; yet, instead
of darkness there was light. Outside was darkness, vast, pitmirk;
inside, appalling light. All the place was stunned and blinded by an
overwhelming light which cast no shadows anywhere, but, vehemently
streaming, searched crack and cranny; not a crevice escaped. It lapped
and flowed like waves, and penetrated everything; even the gross
material of the walls, saturated by that flame, gave back a superfluous
glow, a white excess of light, and every pointed thing within the room
was peaked and capped with flame. Round and round the room a bewildered
host of moths in little wavering flights and drops went fluttering,
with a light rustle of powdery wings, and, among them, bats splashed
through the light with a low, continuous whirr. Round and round, like
froth-clots on flood-water swinging around a vortex, whirled slantbat
and moth in a dizzy, irregular ring, in the midst of which, crouched in
a high-backed chair, sat a shriveled, dead-alive, mummy-like figure, as
thin and fleshless as a skeleton,--an apparition, sinister, white, and
wasted as a corpse new-risen from the grave.
Its chin upon its folded hands, its hands about one knee, the knee
upheld by the heel crooked at the chair-seat’s edge, the other gaunt
leg dangling across the upraised foot, the specter smiled on Margot
a bleak, Saturnine smile. Its face was greatly wasted; all the life
of it seemed gathered into the brilliant, terrible eyes, which blazed
with infernal light, in splendid scorn, without remorse, sardonical;
a countenance such as God alone endures to look upon unmoved; a
figure terrible.... Deity, deformed, might look like this, grotesquely
majestical, hideous, baleful, glorious, accursed, malign; an archangel,
fallen, outcast, depraved: Satan, god of the discontent.
A twisted smile wreathing his evil lips, with his chin hooked over his
hands,--a smile of cool confidence mingled with nonchalance, “Why not
try me?” he said.
* * * * *
Public-domain text, read in full here on John Shaqi.
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