Madame Margot: A grotesque legend of old Charleston — John Shaqi
Madame Margot: A grotesque legend of old CharlestonBennett, John
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Madame Margot: A grotesque legend of old Charleston
Bennett, John
Charleston (S.C.) -- Fiction; Fantasy fiction; Happiness -- Fiction; Mothers and daughters -- Fiction; Soul -- Fiction
There was a tremendous storm that night. Her house was ablaze with
light; the little tailor who lived next door said, “Aha! Mother Go-go
has company!” But the only person seen was one of the religious sort, a
tall man, with a face like an unpleasant taste.
The thunder was terrific; the storm wild beyond compare. The wind blew
with a sound like wild, gigantic laughter. “Ff-ff-ff!” went the gale;
the gusts howled through the tailor’s house; the whole place shook; the
blinds banged and crashed; the wind wailed, and sucked down the chimney
with a sound like awful weeping; the little tailor’s soul was filled
with a sense of enormous terror.
All night long the thunder rolled like the laughter of an angry god.
Dislodged by the tremendous concussions the cockroaches flew out of
the walls; and, in the morning, after the storm, the parrakeets which
lived in the trees were all turned gray as ashes.
The windows and doors of Old Mother Go-go’s house were standing open
wide. It was plain that they had stood open all night, and that the
rain had beaten into the house unopposed.
This, however, occasioned but brief surprise. When they peered in at
the door the rats were playing around the floor with the beads of a
broken rosary.
A priest came, hurrying in. He did not stay in long. When he came out
his face was white as a sheet and his lips were drawn and gray.
Those who prepare the dead came. They stood on the threshold peeping
and queerly looking in at the door.
A gray mist filled the place like a cloud, through which things were
visible. The rooms were damp as an old vault, and full of a death-like
smell; the walls were covered with green mould; the woodwork was
rotten. The candles had guttered and dripped and gone out; the floor
was bespattered with tallow. All around the rooms were coffers of
linen and lace, “_coffres très beaux, coffres mignons, de dressouer
compagnons; coffres de boys qui point n’empire; madres et jaunes comme
cire_.” All the coffers were open, and everything that was in them was
tossed wildly about the floor; not one piece of the lovely old stuffs,
as yellow as wax, but was blackened by showers of soot and trampled
under foot by the neighbor’s goat, the print of whose hoofs was
everywhere.
And Madame Margot?
Heh! God had designed her for tragedy; but here was comedy. Margot lay
stretched out on the floor, as black as ebony; dead, among the ashes
and soot, charred like a fallen star.
The coroner found that the woman had died of the visitation of God; but
Doe Gou, the tailor, said simply, “Has God feet like a goat?”
The bishop refused to have masses said for the repose of her pitiful
soul; and they would not allow her to be buried in St. Sebastian’s
graveyard. The potter’s field was the place for her; her color was too
peculiar.
Too black to be buried among the white, too white to lie down with
the black, she was buried, in secret, in her own garden, under the
magnolia-trees.
And that was the end of Madame Margot.
Public-domain text, read in full here on John Shaqi.
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