Madame Margot: A grotesque legend of old CharlestonBennett, John
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Madame Margot: A grotesque legend of old Charleston
Bennett, John
Charleston (S.C.) -- Fiction; Fantasy fiction; Happiness -- Fiction; Mothers and daughters -- Fiction; Soul -- Fiction
Was there no refuge, no escape, nor safety anywhere; no retreat, nor
harbor, but in hopeless longing; always the far-off lightning and
threatening of storm? Peering into the future she was filled with
apprehension. In dreams she saw Gabrielle’s innocence hanging over a
black abyss; in dreams saw a fawn torn by ravening wolves. She awoke,
starting up, crying out! There was nothing but the night. Yet she arose
from her bed, and, crouched by her crucifix, prayed for her daughter as
she never had prayed for herself.
* * * * *
At adolescence Gabrielle was a vision of delight. In temperament she
was ardent as is a summer shower, which gives, when it gives, all that
it has to give, in a rush of wind and rain. Unspoiled by knowledge,
unruined by folly, too innocent to be perplexed by life’s anxieties,
her soul mistook Earth for the pathway to Paradise, and nothing as yet
had discovered her error. With her each hour began afresh the tale of
life, a long, sweet, glad surprise.
Rose-winged days and golden nights were come to Gabrielle, whose feet
stood at the smiling gate of the Primrose Way. But Margot’s days and
nights were filled with passionate anxiety, as with increasing doubts
and fears she confronted destiny.
The inner house-door gave upon a little paved court, where two twisted
old fig-trees grew, many-branched candelabra, tipped in spring
with green-leaved lights. Green-leaved shadows wavered below on a
duck-pool’s marble bowl, stained green from the copper tenons which
tied its stones together. Here ducks praised Jove with yellow bills,
and splashed viridian wings. In the pool, glimmering, one saw the
stuccoed cottage-wall, on the irregular surface of which old colors
showed in broken chequers through the new until the wall was patched
with unpremeditated beauty. Across the pool the silvery sunlight
glimmered like a streak of flame. But the fairest thing reflected there
was Gabrielle, dancing on the old stones which paved the court,--dances
fantastic as her mood; sarabands to the stately rhythm of odd old
songs, deliberately slow; canzons whose pathos was lost in a pirouette;
minuets which mimicked the swallows overhead with their swift glissades
among the trees and undulating sweeps among the flowers,--snatching
the poppies as she passed, and thrusting them in her hair, and
pausing at last like a wind-blown flower above her reflection in the
pool,--Gabrielle, singing old songs by the world forgotten,--strains
of wild beauty, that by wayward loveliness have a peculiar power to
please, with old melodies, alluring and sweet; songs such as long ago
stole the souls of saints determined upon salvation, and gave themes
for many troubadour lays, of which, though all are lovely, the greater
part are sad, being memories of loveliness departed into the dust: one
of life’s paradoxes, that the memory of beauty should be bitter.
Public-domain text, read in full here on John Shaqi.
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