Madame Margot: A grotesque legend of old CharlestonBennett, John
General
Madame Margot: A grotesque legend of old Charleston
Bennett, John
Charleston (S.C.) -- Fiction; Fantasy fiction; Happiness -- Fiction; Mothers and daughters -- Fiction; Soul -- Fiction
The blue dove moaned out his heart’s desire; the copper beetle wooed
and won his lady in the dust; butterflies and dragon-flies glittered
in the wind, happy in their airy ecstasy--they fluttered among the
hedges; they sported among the flowers--and all the earth rejoiced in
having its heart’s desire. Thrush and mocker sang, “Passion, passion
... heart-breaking passion!” to their pretty feathered paramours. From
every spray the vireo cried shrill, in shreds of melody, “Heart’s
desire! Heart’s desire!” In the fragrant green-bay the painted
bunting’s love-call rang incessantly; while from the tufted grove
arose the stirring chant of earth’s universal choir, the canticle, all
passionate and shrill, of “Love, love, love!” and yet again of “Love!”
How can one keep it from the heart of youth, that, all unknowing, yet
numb with longing, breathlessly awaits its coming, and trembles like a
leaf with the wordless yearning of unrecognized desire.
Gabrielle was intoxicated with the passion of her own heart, without
an object or an aim; her throat was almost choked with youth’s sweet,
innocent desire; and, ever, within her shaking heart, the questioning
wonder grew.
“Mother,” she said wistfully, “what is it fills the world with music
day and night? What is it makes the whole world sing?”
“Happiness,” replied Margot, “and joy of the spring.”
“Happiness?” rejoined Gabrielle. “If it be happiness, why does it make
my heart ache? Why does spring hurt me so?”
Margot, startled, sat staring, wrung with sudden fear.
“And what is this love of which every one sings--we women most of all?”
“The source of all wretchedness. Leave it alone!” cried Margot. She
looked at her daughter in terror.
“But,” replied Gabrielle, wondering, “if love be the source of all
wretchedness, why is it’s song so sweet?”
“Because fools have their folly!” cried Margot. “Love-songs are sweet
to a lover, as folly is dear to a fool. Worship thy God,” she said
harshly, “and leave foolishness to the fool!”
“Love--foolishness?” said Gabrielle, puzzled. “You told me that God is
love!” She turned the riddle over and over in her mind.
“What ails you?” asked Margot.
“Nothing,” said Gabrielle. But a flush stole up her cheeks. “How does
a woman know, Mother, that she loves, so that she may say certainly,
‘This is love’?”
“By the utter despair that tears her heart in two.”
“But, Mother,” protested Gabrielle, “they tell me that love is sweet!”
“Sweet? As wormwood!” said Margot hoarsely. “It is nothing but fever
and fret.”
“Many I see who have it; but none who fret. Might I not know for myself
a little of this pretty play of lovers and beloved?” besought Gabrielle.
Margot looked at Gabrielle and trembled, seeing the shadow upon her,
foreseeing the fate of her loveliness, perceiving indiscretion’s lips
at the rim of the cup of terror. “What man has snared your silly
heart?” she asked.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account