Madame Roland: A Biographical StudyTarbell, Ida M. (Ida Minerva)
History
Madame Roland: A Biographical Study
Tarbell, Ida M. (Ida Minerva)
France -- History -- Revolution, 1789-1799; Roland, Madame, 1754-1793
But could she not have been saved? She had friends who would have gladly
dared death for her. All Paris knew of her imprisonment—was there no
lover of justice to intercede? Her friends had tried to save her. Buzot
and Roland both contrived many plans; she repulsed them all. They were
too foolhardy to succeed; they might implicate those who would interest
themselves in carrying them out, or perhaps ruin guardians who had been
kind to her—of these she would hear nothing. Her old friend, Henriette
Cannet, then a widow, came from Amiens, succeeded in reaching her in
prison, insisted on changing garments with her and on remaining in her
place. She would not consent; she would rather “suffer a thousand
deaths” than run the risk of causing that of a friend. And then what did
release mean? Merely the taking on of her old chains. “Nothing would
stop me if I braved dangers only to rejoin you,” she wrote Buzot; “but
to expose my friends and to leave the irons with which the wicked honor
me, in order to take on others that no one sees—there is no hurry for
that.”
Madame Roland, throughout her imprisonment, had hoped for a popular
uprising, a revolt against tyranny, coming from Paris or the
departments, which would release her and her friends. She never got
thoroughly over her illusion that the people, as a mass, were the ones
that were to reconstruct France; never realized fully how the people
are simply a passive unit, asking only to be let alone, to be allowed
to live as they can without interference; that they have no
initiative, that when they act it is because they have been aroused by
leaders working on them systematically, appealing to their wants,
their desires, their reason sometimes, but more often inflaming their
passions. She never appreciated, save dimly, the fact that throughout
the Revolution, so far, the revolt of the people had been prepared by
agitators,—prepared as she and her friends wished to make the 20th of
July, did make the 10th of August. The people know she is imprisoned;
if they reflect at all, they know that probably it is unjust, but they
are cautious. They have seen, ever since the Revolution commenced,
that he who tries to prevent outrage is sure to be the first to be
punished. They have concluded wisely that the only safe plan is to let
the belligerents fight it out, to follow as well as they can their
usual occupations, and to say nothing. The mass of the Parisians go on
as usual. The Terror has become a part of daily discussion, a part of
the city’s spectacles,—that is all. People buy and sell as usual, the
theatres do not close, not even the Sunday promenade is omitted. They
even take advantage of events to give a livelier interest to their
amusements. The theatres, the fairs, the _cafés chantants_, the maker
of songs and engravings, draw their subjects from the quarrels of the
Assembly, the persecutions of the Commune, the events of the prisons
and of the guillotine. They even use it to advertise their wares: The
Public-domain text, read in full here on John Shaqi.
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