Madame Roland: A Biographical StudyTarbell, Ida M. (Ida Minerva)
History
Madame Roland: A Biographical Study
Tarbell, Ida M. (Ida Minerva)
France -- History -- Revolution, 1789-1799; Roland, Madame, 1754-1793
real estate agents announce, “in the new state of Kentucky, and the
ancient state of Virginia, lands in a country free from despotism and
anarchy.” The potter improves the chance, and turns out plates and
cups and saucers by the thousands, suitable for all the varying tastes
and shades of opinion; there is elegant Sèvres with a _bonnet rouge_
for the rich patriot; there is a _vive le roi_, with a sceptre, for
the monarchist; there is a guillotine for the bloodthirsty; there is a
coarse and vulgar joke for the ribald. The cloth-maker prints
patriotic scenes on his curtain stuff; the handkerchief-maker
decorates with transcriptions of the _droits des hommes_; the
hat-maker turns out idealized _bonnets rouges_ suitable for the street
or opera; the fan-maker illuminates with king or _sans-culottes_,
according to taste; the very manufacturer of playing-cards takes off
the time-honored king and queen and knave, and replaces them with
heroes, philosophers, and Revolutionary emblems. Cabinet-maker,
jeweller, shoemaker, weaver, all turn the Revolution to account. For
whether justice reign or fall, the world must go on, and while the few
wrestle with the pains of progress, of achievement, of aspiration, the
mass looks on and calculates what effect the struggle will have on the
price of bread.
XIII
DEATH ON THE GUILLOTINE
The inmates of the Conciergerie were still shivering under the horror of
the death of the twenty-one Girondins when Madame Roland appeared among
them. Her coming was an event which awakened the liveliest interest. For
eight months she had been the most influential woman in France. She was
the recognized inspiration of the party which had wrecked the monarchy
and established the Republic, which had been conquered by the force it
had called to life. To the majority she was but a name. They all knew
that her death was a foregone conclusion. They felt that she, too, knew
it, and they watched, many of them with curiosity—for numbers of the
inmates were of constitutional and royalist sympathies—for signs of
revolt and of weakness. Never, however, had she been calmer, never more
serene.
Public-domain text, read in full here on John Shaqi.
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