Not a sound from above heard old Luke, and presently he gave it up
and went out and down the road to the village, with occasional
glances of a crafty old eye over his shoulder at Madelon's chamber
window. Madelon had heard every word. She was folding up her own
wedding-silk and putting it away in the cedar chest until she should
want it. She put away her wedding-bonnet also, with its cream-colored
plumes and its linings and strings of yellow satin, in the bandbox.
She set her mouth hard, and coupled bitterly her own poor
wedding-finery with Dorothy Fair's grand outfit; and yet not for the
reason that her Uncle Luke had striven to give her, for she would
have held an old ragged blanket of one of her Indian grandmothers
like the bridal gown of a queen had Burr been her bridegroom.
Madelon heard the door shut, and knew her tormentor was gone; and
after her fine attire was packed away she went down-stairs and about
her tasks again. But she sang no more. The certainty of the future
overcame her like the present, and her short-lived joy or respite was
all gone. When her father and brothers came home at noon they found
the old stern quiet in her face, and their suspicions that there had
been a rupture with Lot ceased. They were relieved, but the boy
Richard eyed her with furtive pity. That night he lingered behind the
others when they dispersed for the night, and went up to Madelon and
threw an arm around her, and laid his cheek against hers. "Oh,
Madelon, I wish--" he began, and then he caught his breath, and his
cheek against hers was wet, and Madelon turned and comforted him, as
a woman will turn and comfort a man for even his pity for her sorrow.
"There is no need for you to fret," she said, with a sort of gentle
authority, as if she had been his mother. "I've got my life to live,
and I've got strength enough to live it. I shall do well enough."
Public-domain text, read in full here on John Shaqi.
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