Madelon, still under the fear of Eugene, pressed inside the door as
she spoke, and he stood aside half involuntarily. "I beg you to let
me see her," she repeated. She looked at the stately wind of the
stairs up to the second floor, as if she were minded to ascend
without bidding to Dorothy's chamber.
"She is ill in her chamber," the Parson said again, with a kind of
forbidding helplessness.
"I would see her only for a minute. I beg you to let me, sir. It is
life and death, I tell you--it is life and death!"
Whether Parson Fair motioned her to ascend, or whether he simply
stood aside to allow her to pass, he never knew, but Madelon was up
the winding stairs with a swirl of her cloak, as if the wind had
caught it. Parson Fair followed her, and motioned her to the south
front chamber, and was about to rap on the door when it was flung
open violently, and the great black princess stood there, scowling at
them.
"I have a guest here for your mistress," said Parson Fair; but the
black woman blocked his way, speaking fast in her wrathful gibberish.
However, at a stately gesture from her master she stood aside, and he
held the door open, and Madelon entered. "You had better not remain
long, to tire her," said the parson, and closed the door. Immediately
the uncouth savage voice was raised high again, and quelled by the
parson's calm tone. Then there was a great settling of a heavy body
close to the threshold. The black woman had thrown herself at the
sill of her darling's door, to keep watch, like a faithful dog.
Madelon Hautville, when she entered Dorothy Fair's room, had her mind
not been fixed upon its one end, which was above all such petty
details of existence, might well have looked about her. No such
dainty maiden bower was there in the whole village as this. Madelon's
own chamber, carpetless and freezing cold, with its sparse furniture
and scanty sweep of white curtains across the furred windows which
filled the room with the blue-white light of frost, was desolation to
it.
Public-domain text, read in full here on John Shaqi.
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