"I've got all the money I want, father," said Madelon, catching her
breath a little, but keeping her face steady. Could her father have
understood, if she had told him, the pretty maiden providence, almost
like one of the primal instincts, which had led her to save, year
after year, little sums from her small earnings, towards her
wedding-outfit? Could he, with his powerful masculine grasp of the
large woes of life, have sensed this lesser one, and fairly known the
piteous struggle it cost Madelon to spend her poor little wealth,
which was to have furnished adornment for her bridal happiness with
her lover, for such a purpose as this? Had she turned upon him then
and there, and told him that she hated Lot Gordon, and would rather
lie down in her grave than be his wife, he might have grasped that
indeed, although not in her full sense of it, for the same sense of
misery of that kind comes not to a man and a woman; but the other he
would have puzzled over and solved it by his one sweeping solution of
all feminine problems--by femininity itself.
However, he continued to stand beside his daughter, looking at her
across that great gulf of original conceptions of things which love
itself can never quite bridge. Tears came into his keen black eyes,
and his voice was hoarse when he spoke again. "Well, Madelon," said
David Hautville, with a firmer laying on of his heavy hand on his
daughter's shoulder, "ye've been a good daughter and sister, and
we're all of us glad you've got over this last foolishness, and we
don't lay it up against ye, and--we'll all miss ye when ye're gone."
Madelon moved quietly away from her father's roughly tender hand. "I
thought maybe the Widow Scoville would be willing to come here and
live," said she. "She's a good cook and a good housekeeper. I'm going
to see her about it."
"Well, we'll see," said David Hautville, huskily--"we'll see." He
turned away, and looked irresolutely at the shelf whereon his pipe
lay, at the wedding-silk on the chair, at his great boots in the
corner at the outer door, then at his bass-viol leaning in the corner
which the dresser formed against the wall, and a light of decision
flashed into his eyes.
Public-domain text, read in full here on John Shaqi.
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