He drew his old arm-chair nearer the fire, carried the viol over to it, set it between his knees, flung an arm around its neck and began to play. His great chest heaved tenderly over it; its sweetly sonorous voice spoke to his soul. Here was the friend who vexed David Hautville with no problems of character or sex, but filled his simple understanding without appeal. These chords in which the viol spoke were from the foundations of things, like the spring-time and the harvest and the frosts; they abided eternally through all the vain speculations of life, and sounded above the grave. No imagination of a great artist had David Hautville, but his music was to him like his woodcraft. He traced out the chords and the harmonies with the same fervor that he followed the course of a stream or climbed a mountain-path. A great player was he, although the power of creation was not in him, for he fingered his viol with the ardor of a soul set in its favorite way of all others. As David Hautville played his great resonant viol he forgot all about his own perplexity and his daughter's love-troubles; but she, listening as she worked, did not forget. Madelon, swept around with these sweet waves of sounds, never once had her memory of her own misery submerged. A strange double consciousness she had, as she listened, of her senses and her soul. All her nerves lapsed involuntarily into delight at the sounds they loved, and all her soul wept above all melodies and harmonies in her ears. The spirit of an artist had Madelon, and could, had she wished, have made the songs she sung; and for that very reason music could never carry her away from her own self. She finished her household tasks and sat down again to sew upon her wedding-gown. After a while her father ceased playing, and leaned his viol tenderly back in its corner, pulled on his great boots, put on his leather jacket and his fur cap, lighted his pipe, shouldered his gun, and set out with his eyes full of the abstraction of one who follows alone a different path. Chapter XVIII Then Madelon sat alone, sewing, setting nice stitches in her green-and-gold silk. Like other women, heretofore when she had sewn a new gown she had builded for herself air-castles of innocent vanity and love when she should be dressed in it. Now she builded no more, but sat and sewed among the ruins of all her happy maiden fancies. She had given herself no care concerning any other arrangements for her wedding than this gown--she felt even no curiosity concerning it. She left all that to Lot, as a victim leaves the details of his death to the executioner. She supposed he would send for her and tell her before long. When she heard a scraping step at the door she knew instinctively that the message had come.