To-night, however, the antics of the clown, the phenomenal intelligence
of the performing dogs, even the agility of the Schaeffer family of
acrobats, did not interest him. He was impatient to see Mademoiselle
Blanche. Her name stood last on the program; she was probably reserved
for a crowning attraction. Jules dropped on one of the velvet cushions,
and rested there for another half-hour. Then some knife-throwing
attracted him, and he slowly worked his way through the crowd to a place
where he could look down at the performers. The knife-throwing was
followed by an exhibition of trick-riding, which preceded the acrobat's
appearance.
Before this appearance took place, however, there was a long wait caused
by the preparations made for the great plunge. A thick rope was
suspended from one of the beams that supported the roof of the building,
and under it a net was spread. Then the half-dozen trapezes that had
been tied to the walls, were loosened, and as they swung in the air and
the band played, Mademoiselle Blanche, in white silk tights, with two
long strips of white satin ribbon dangling from her throat, ran into the
ring, and bowed in response to the applause of the crowd.
Jules Le Baron drew a long breath. The long supple limbs, the firm white
arms and throat, the pale oval face, framed in dark hair that curled
around the forehead, created a kind of beauty that seemed almost
ethereal. The glamour of youth was over her, too; she could not be, at
most, more than twenty. As she ran up the little rope ladder to the net
and climbed hand over hand along the rope to one of the trapezes, Jules
thought he had never seen such grace, such exquisite sureness of
movement and agility. After reaching the trapeze, she sat there for a
moment, smiling and rubbing her hands. Then she began to swing gently,
and a moment later she shot through the air to another trapeze several
feet away, and from that she passed on to the others with a bewildering
swiftness.
Jules had never seen a woman perform alone on the trapeze before, and
this exhibition of skill and resource fascinated him. The feats were
nearly all new, and some of them of unusual difficulty. When the girl
had finished her performance on the trapeze she returned to the rope,
and began to pose on it, twisting it around her waist, and hanging
suspended with her arms in the air. In this way she rolled gently down
to the net.
The event of the evening was yet to come, however. After resting for a
moment, Mademoiselle Blanche seized the rope again, and, hand over hand,
she climbed to the top of the building; there she sat on a beam, so far
from the audience that she seemed much smaller than she really was. The
ring-master, a greasy-looking Frenchman in evening dress, appeared in
the arena and commanded silence.
"Mademoiselle Blanche must have perfect quiet," he cried, "in order to
perform her great feat. The least noise might disturb her, and cause her
death."
Public-domain text, read in full here on John Shaqi.
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