MADEMOISELLE DE MAUPIN _VOLUME ONE_ BY THÉOPHILE GAUTIER THE REALISTS PRINTED BY GEORGE BARRIE & SONS, PHILADELPHIA 1897 [Illustration: Mlle. de Maupin] THIS EDITION OF MADEMOISELLE DE MAUPIN HAS BEEN COMPLETELY TRANSLATED BY I. G. BURNHAM THE ETCHINGS ARE BY FRANÇOIS-XAVIER LE SUEUR AND DRAWINGS BY ÉDOUARD TOUDOUZE LIST OF ILLUSTRATIONS MADEMOISELLE DE MAUPIN--VOLUME I MADEMOISELLE DE MAUPIN Front. THE IMAGINARY MISTRESS FIRST MEETING WITH ROSETTE EPISODE OF THE "TOILETTE DE BAL" D'ALBERT AND ROSETTE THE ARRIVAL OF THÉODORE THÉODORE AND THE PAGE ROSETTE'S MORNING AUDIENCE THE ACCIDENTAL DISCOVERY BIBLIOGRAPHICAL NOTICE This celebrated novel, the celebrity of which has not been lessened by the very numerous editions that have been published, had a very modest beginning which in no way foreshadowed the great success which it was to obtain later. The title: _Mademoiselle de Maupin--Double Love_ appeared, we believe, for the first time in Renduel's catalogue in connection with _The Life of Hoffman_, by Lœve-Weimars, which appeared in October, 1833, announcing the new work of Théophile Gautier as being in press. Renduel had made the acquaintance of the author at Victor Hugo's; he had published in August, 1833, his first volume of prose, _Young France_, and now it was a question of launching a work in two volumes, a truly daring undertaking for a publisher of that day; especially in the case of the work of an author but little known and only twenty-two years old. _Mademoiselle de Maupin_ was not, however, destined to see the light so soon. For two years Théophile Gautier, more enamored of freedom than of work, or preferring the task of making two harmonious rhymes to all the beauties of his learned and rhythmic prose, incessantly abandoned and resumed the promised work. A tradition preserved in the family of the poet tells how his father often shut him up in his room at that time, forbidding him to leave it until he had completed a certain number of pages of the _Grotesques_ or of _Mademoiselle de Maupin._ When the maternal kindness did not come to his aid, the frolicsome author, who then lived with his parents on Place Royale, often found the means of getting away by the window and so escaping a paternal task. Such escapades being frequently renewed, it may well be believed that the novel made but little progress; 1834 was drawing to a close; only the first of the two volumes was finished; the publisher complained, and the author tried to pacify him by notes similar to the following: "I have just discovered at a bric-à-brac dealer's a charming picture of Boucher in a splendid state of preservation; it is an opportunity that I do not wish to miss, and not having money enough, I take the liberty of asking you for my balance.[1] You will confer on me a real pleasure in sending it to me. "I am harnessed to _La Maupin_, and that prevents me from prowling about and calling on you. "With cordial wishes, I am, yours,