Mademoiselle de Maupin, Volume 1 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 1 (of 2)
Gautier, Théophile
French fiction -- Translations into English
Notwithstanding all this fine show, Rosette is surfeited with me as I
am with her; but as she has done some notoriously foolish things for
me, she doesn't want to take to herself the discredit of a rupture
in the eyes of the excellent corporation of sensible women. Every
great passion claims to be everlasting, and it is very convenient
to assume the credit of that everlastingness without suffering its
disadvantages.--Rosette reasons thus:--"Here is a young man who has
hardly a vestige of fondness left for me, and, as he is simple-minded
and easy-going, he doesn't dare show it openly and doesn't know which
way to turn: it is plain that I bore him, but he will wear his life out
in the toils rather than take it on himself to leave me. As he is a
poet after a fashion, he has his head full of fine phrases about love
and passion, and considers himself bound in conscience to be a Tristan
or an Amadis. Now, as nothing in the world is more insupportable than
the caresses of a person one is beginning not to love--and to cease to
love a woman is to hate her intensely--I propose to lavish them on him
in a way to sicken him, and the result will be either that he will send
me to the devil or will begin to love me again as he did on the first
day, which he will take very good care not to do."
No reasoning could be better.--Isn't it charming to play the part of
the abandoned Ariadne?--People pity you and admire you, and there are
no imprecations strong enough for the infamous wretch who has been so
inhuman as to abandon such an adorable creature; you assume an air of
grieved resignation, you put your hand under your chin and your elbow
on your knee so as to show off the pretty blue veins in your wrist. You
wear your hair more dishevelled, and your dresses for some little time
are of soberer hue. You avoid mentioning the ingrate's name, but you
make roundabout allusions to him, at the same time heaving beautifully
modulated little sighs.
A woman so good, so beautiful, so passionate, who has made such great
sacrifices, who has done nothing worthy of blame, a chosen vessel, a
pearl of love, a spotless mirror, a drop of milk, a white rose, an
ideal essence to perfume a life;--a woman whom you should have adored
on your knees, and who will have to be cut in little pieces after her
death, to make relics:--such a woman to be abandoned iniquitously,
villainously, fraudulently! Why a pirate would do no worse! To give her
her death-blow!--for she certainly will die of it.--One must have a
paving-stone in his breast, instead of a heart, to act so.
O men! men!
I say this to myself, but perhaps it's not true.
Public-domain text, read in full here on John Shaqi.
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