Mademoiselle de Maupin, Volume 1 (of 2)Gautier, Théophile
General
Mademoiselle de Maupin, Volume 1 (of 2)
Gautier, Théophile
French fiction -- Translations into English
So they invented the criticism of the future, the Prospective
criticism. Can you imagine, at first thought, what a charming thing it
is and what a prolific imagination it indicates? The recipe is simple
and I can tell you what it is. The book that will be considered fine
and will be praised is the book that has not yet appeared. The one that
has just appeared is infallibly detestable. The one to appear to-morrow
will be superb; but it is always to-day. It is the same with this sort
of criticism as with the barber who had these words in huge letters for
his sign:
SHAVING FREE HERE TO-MORROW.
All the poor devils who read the placard promised themselves for the
next day the ineffable, sovereign sweetness of being barbered once in
their lives without unloosing their purse-strings: and the hair on
their chins easily grew half a foot during the night that preceded
that blessed day; but when they had the napkin around their necks, the
barber asked them if they had any money and bade them pay up, or he
would treat them like nut-pickers or apple-gatherers of Le Perche; and
he swore a mighty _sacre dieu_ that he would cut their throats with
his razor unless they paid him; and when the poor devils, whining and
whimpering, talked about the sign and the sacrosanct inscription:--"Ha!
ha! my little fatties!" said the barber, "you don't know so much
after all, and you'd much better go back to school! The sign says:
'To-morrow!' I'm no such whimsical fool as to shave for nothing to-day;
my confrères would say I was throwing away my trade.--Come another
time, come the week that has two Sundays together, and you'll find
everything all right. May I be called a niggardly fellow and a flat, if
I don't shave you for nothing, on the word of an honest barber."
Authors who read a prospective article in which an existing work is
attacked always flatter themselves that the book they are writing will
be the book of the future. They try to accommodate themselves, as
much as possible, to the ideas of the critic, and become socialists,
progressives, moralizers, palingenetics, mystics, pantheists,
buchezists, thinking in that way to escape the anathema; but the same
thing happens to them that happened to the barber's customers:--to-day
is not the eve of to-morrow. The to-morrow that we hear so much about
will never shine upon the world; for the formula is too convenient to
be abandoned so soon. Even while decrying the book of which they are
jealous and which they would be glad to annihilate, they put on the
gloves of the most generous impartiality. They apparently ask nothing
better than to approve and praise it, and yet they never do it. This
recipe is very superior to the one that we might call retrospective,
which consists in vaunting ancient works only--works which no one reads
and no one cares about--at the expense of modern books, which people do
think about and which wound their self-esteem more directly.
Public-domain text, read in full here on John Shaqi.
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