Mademoiselle de Maupin, Volume 1 (of 2)Gautier, Théophile
General
Mademoiselle de Maupin, Volume 1 (of 2)
Gautier, Théophile
French fiction -- Translations into English
which have not been cut for more than a century, are of extraordinary
height, with gnarled trunks swathed in parasitic plants--the handsomest
and most curious trees I have ever seen. Some have leaves only at
the very top like broad umbrellas; others taper toward the top like
plumes; others, on the contrary, have a large tuft of foliage near
the bottom, from which the naked trunk rises toward the sky like a
second tree planted in the first; you would say it was the foreground
of a landscape painting or flies painted for a scene on the stage, the
trees are so curiously misshapen;--ivies that reach from one to another
and hug them so tight as to choke them, mingle their dark hearts with
the green leaves and seem like their shadow. Nothing can be more
picturesque. The stream widens at that spot, so as to form a little
lake, and it is so shallow that you can see, through the transparent
water, the lovely aquatic plants that carpet its bed. There are
nymphæas and lotuses swimming nonchalantly in the purest crystal with
the reflection of the clouds and the weeping-willows that lean over
the bank: the château is on the other side, and yonder little skiff,
painted apple-green and bright red, will save you a long detour to the
bridge. The château is a collection of buildings built at different
periods with gables of unequal heights and a multitude of little
turrets. One ell is of brick with stone trimmings; another portion is
in the rustic style, with quantities of excrescences and vermiculated
work. Another ell is entirely modern; it has a flat Italian roof with
vases and a tile balustrade, and a canvas porch in the shape of a tent.
The windows are all of different sizes and do not correspond; there
are some of all styles, even the trefoil and ogive, for the chapel
is Gothic. Certain parts are trellised, like Chinese houses, with
trellises painted different colors, covered with climbing honeysuckle,
jasmin, nasturtiums, and virgin's bower, whose tendrils look familiarly
in at the chamber windows and seem to put out their hands to you as
they say good-morning.
Despite this lack of regularity, or rather because of it, it is a
fascinating structure; at least, one does not see it all at a single
glance; there is an opportunity for choice and one is always on the
lookout for something one has not seen.
This château, with which I was not familiar, for it is twenty leagues
from town, pleased me immensely at first sight, and I was extremely
grateful to Rosette for conceiving the admirable idea of selecting such
a nest for our love.
We arrived just at nightfall; and, as we were tired, after eating a
hearty supper there was nothing we were so anxious to do as to go to
bed--in separate rooms, mind you, for we intended to sleep in good
earnest.
Public-domain text, read in full here on John Shaqi.
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