Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
The dark forest of Arden opens wide its great arms of foliage to
welcome and conceal you; the kindly forest heaps up its silkiest moss
in the depths of its grottoes for your bed; it bends its leafy arches
over your brow to protect you from the rain and sun; it pities you
with the tears of its springs and the sighs of its bleating fawns
and deer; its rocks afford convenient desks on which to write your
amorous epistles; it lends you the brambles from its bushes with which
to attach them, and orders the satiny bark of its aspens to yield to
the point of your stiletto when you wish to carve Rosalind's initials
thereon.
If only I could have, like you, young Orlando, a vast cool forest to
which to retire and live alone in my sorrow, and if, at a turning
in a path, I could meet her whom I seek, recognizable, although
disguised!--But, alas! the world of the soul has no verdant Arden, and
only in the garden of poesy do the capricious little wild-flowers bloom
whose perfumes make one oblivious of everything. In vain do we shed
tears, they do not form those lovely silvery cascades; in vain do we
sigh, no obliging echo takes the trouble to send back our lamentations
embellished with imperfect rhymes and gay conceits.--In vain do we
hang sonnets to the sharp points of all the brambles, Rosalind never
picks them off, and we carve amorous ciphers on the bark of trees
gratuitously.
Birds of heaven, lend me each a feather, swallow and eagle,
humming-bird and roc, that I may make of them a pair of wings to soar
aloft and swiftly through unknown regions, where I shall find nothing
to recall to my mind the city of the living, where I can forget that I
am myself and live a strange, new life, farther than America, farther
than Africa, farther than Asia, farther than the farthest island in
the world, through the ocean of ice, beyond the pole where the Aurora
Borealis flickers, in the impalpable kingdom to which the divine
creations of poets and the types of supreme beauty take flight.
How can one endure the ordinary conversation at clubs and salons when
one has heard you speak, sparkling Mercutio, whose every sentence
bursts in a shower of gold and silver, like a pyrotechnic bomb beneath
a star-studded sky? Pale Desdemona, what pleasure, think you, one can
take in any earthly music, after the ballad of the Willow? What women
do not seem ugly beside your Venuses, ye ancient sculptors, poets who
wrote strophes in marble?
Public-domain text, read in full here on John Shaqi.
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