Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
It is hardly three months that I have known you, but I have loved you
a long, long time.--Before I ever saw you, I was languishing with love
of you; I called you, I sought you, and I was in despair at not meeting
you on my road, for I knew that I could never love another woman.--How
many times you have appeared to me--at the window of the mysterious
chateau, leaning in melancholy mood on the balcony and throwing to the
wind the petals of some flower, or galloping through the dark paths of
the forest, an impetuous Amazon, on your Turkish horse, whiter than the
snow!--There were your proud yet gentle eyes, your transparent hands,
your lovely, waving hair and your adorably disdainful half-smile.--But
you were less beautiful, for the most ardent, unbridled imagination,
the imagination of painter or poet, could not attain the sublime
poesy of the original. There is within you an inexhaustible spring of
charms, an ever-gushing fountain of irresistible seductions; you are a
casket, always open, of the most precious pearls, and in your slightest
movements, in your most careless gestures, in your most unstudied
poses, you scatter to right and left inestimable treasures of beauty,
with royal profusion. If the graceful undulations of a contour, the
fleeting outlines of an attitude, could be fixed and preserved in a
mirror, the mirrors before which you pass would cause the divinest
canvases of Raphael to be despised and looked upon as tavern signs.
[Illustration: Chapter XIII--_How many times you have appeared to me--at
the window of the mysterious château, leaning in melancholy mood on the
balcony and throwing to the wind the petals of some flower. * * * There
were your proud yet gentle eyes, your transparent hands, your lovely,
waving hair and your adorably disdainful half smile._]
Every gesture, every motion of the head, every different aspect of your
beauty, was engraved on the mirror of my mind with a diamond-point, and
nothing in the world could efface its deep impression; I know where
the shadow was and where the light, the flat surface illumined by the
sunbeam, and the spot where the wandering reflection blended with the
softer tints of the neck and cheek.--I could draw you absent; your
image is always posing before me.
Public-domain text, read in full here on John Shaqi.
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