Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
When I was a child, I stood for whole hours before the pictures of the
old masters and gazed eagerly into their dark depths.--I scanned the
lovely faces of saints and goddesses whose flesh, of the whiteness of
ivory or wax, stood out so marvellously against the dark backgrounds,
blackened by the decomposition of the colors; I admired the simplicity
and magnificence of their carriage, the strange grace of their
hands and feet, the nobility and beauty of their features, at once
so delicate and so strong; the magnificence of the draperies which
enveloped their divine forms, and whose purple folds seemed to thrust
themselves forward like lips to kiss those lovely bodies.--By dint of
persistently plunging my eyes beneath the veil of haze thickened by
centuries, my sight would become confused, the outlines of objects
would lose their precision, and a sort of motionless, inanimate life
would seem to inspire all those pale phantoms of vanished beauties; I
always ended by discovering that the faces bore a vague resemblance
to the fair stranger whom I adored with all my heart; I sighed as I
thought that she whom I was destined to love was perhaps one of them
and had been dead three hundred years. That thought often affected
me so deeply as to make me shed tears, and I would fly into a fierce
passion against myself for not having been born in the sixteenth
century, when all those beauties lived. I considered that it was
unpardonable stupidity and folly on my part.
When I grew older, the pleasing phantom possessed me even more
completely. I saw it always between me and the women I had for
mistresses, smiling ironically and mocking at their human beauty with
all the perfection of its divine beauty. It made women who were really
charming seem ugly to me--women well adapted to make any man happy who
was not in love with the adorable shadow, whose body I did not believe
to be in existence, but which was only the premonition of your beauty.
O Rosalind! how wretched I have been because of you before I knew you!
O Théodore! what wretchedness I have endured because of you since I
have known you!--If you wish, you can throw open to me the paradise of
my dreams. You are standing on the threshold, like a guardian angel
enveloped in her wings, and you hold the golden key in your fair
hands.--Tell me, Rosalind, tell me, will you do it?
I await only a word from you to live or die;--will you say it?
Are you Apollo driven forth from heaven, or the fair Aphrodite coming
from the bosom of the sea? Where did you leave your chariot of precious
stones drawn by four fiery steeds? what have you done with your shell
of mother-of-pearl, and your dolphins with the sky-blue tails?--what
amorous nymph has blended her body with yours in the midst of a kiss,
O thou comely youth, more charming than Cyparissus or Adonis, more
adorable than all women in the world?
Public-domain text, read in full here on John Shaqi.
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