Madrid: an historical description and handbook of the Spanish capitalCalvert, Albert Frederick
History
Madrid: an historical description and handbook of the Spanish capital
Calvert, Albert Frederick
Art -- Spain -- Madrid; Madrid (Spain) -- Description and travel
Alcalá de Henares. Sepulchre of the Archbishop of
Toledo, Don Alfonso Carrillo de Acuña 410
Alcalá de Henares. Details of the Sepulchre of
Cardinal Francisco Ximénez de Cisneros 411
Alcalá de Henares. Chapel of Santiago in the Church
of Santa María 412
Alcalá de Henares. Chapel of Santiago in the Church
of Santa María 413
Alcalá de Henares. Staircase in the Archbishop’s
Palace 414
Alcalá de Henares. Details of the Western Court
and Entrance Court, Archbishop’s Palace 415
Alcalá de Henares. Longitudinal section and details
of the Archbishop’s Palace 416
Alcalá de Henares. Frontispiece of a book called
“Vita Cristi Cartuxano” 417
Muñoza bulls, the property of the Duke of Veragua,
by Joaquín Díez 418
Testing a “Becerro,” or young bull, at Tablada, near
Seville, by Joaquín Díez 419
Selecting bulls from the herd of the Duke of Veragua
at “La Muñoza,” by Joaquín Díez 420
The Toilet of the Toreador before the Bull-fight, by
V. Esquivel 421
Before the Bull-fight, by B. Ferrandiz 422
Toreadors preparing to enter the Arena, by J.
Agrasot 423
Entertaining the Bull-fighter, by Alarcón 424
“Here comes the Bull!” by P. Francés. National
Exhibition of Beaux-Arts, 1887 425
“The Uninvited Guest,” by E. Mélida 426
Head of a Bull, by Joaquín Díez 427
Principal façade of the New Plaza de Toros 428
Principal Entrance to the New Plaza de Toros 429
Interior of the New Plaza de Toros 430
Bull-fight. Entrance of the “Cuadrilla” 431
Bull-fight. A Picador inciting the bull 432
Bull-fight. The Picador 433
Bull-fight. The Picador 434
Bull-fight. A “Quite” 435
Bull-fight. A “Quite” of El Gallo 436
Bull-fight. Lagartijo after a “Recorte” 437
Bull-fight. The Banderillas 438
Bull-fight. Frascuelo irritating the bull with a cloak
before killing him 439
Public-domain text, read in full here on John Shaqi.
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