The Portugalete Palace in the Calle de Alcalá belongs to the Castaño family. It is one of the most artistic houses in Madrid. In the Plaza de Castelar is the home of the Marquis of Linares, beautifully decorated within, and containing handsome carved furniture. The Palace of the Larios is another imposing building in La Castellana. It contains a _patio_ in imitation of the Court of the Lions at the Alhambra Palace. Calderon built the mansion in the Recoletos, which is now in the possession of the Marchioness de Manzanedo, who resides there. The Infanta Isabel has a splendid house in the barrio de Argüelles. The Marquis de Cerralbo, the Duke of Valencia, and the Count of Peñalver reside in elegant houses in the city. The late Conde de Valencia de Don Juan, who was Director of the Royal Armoury, was a noted collector of pictures, objects of art, and antiquities. Other palaces of interest are those of the Duke of Nájera in the Calle de Alcalá, the old residence of the Countess de Pinohermoso, in the Calle de Don Pedro, the house of the Count de Agreda, and that of the Marchioness de Casa López, near the Puerta de Alcalá. The residence of the Marchioness de Squilache is the rendezvous of the eminent in politics, literature, and art. Artistic gatherings are held in the salon of the Marchioness de Bolaños and that of Don Enrique Peñalver. IV ART IN MADRID In the fifteenth and sixteenth centuries, during a pacific period following on the long conflict with the Moors, there arose a number of painters in Castile. Juan II., King of Castile, was a lover of the arts and of literature. We read that this king employed a painter of the Flemish School, named Maestro Rogel, who was reputed to be a pupil of Van Eyck. It was about this time that Flemish art began to influence the work of the Spanish artists, while the Italian style was especially followed by the painters of the Castilian School. Antonio Rincon has been called the founder of the Castilian School of painting, and it is recorded that this artist studied in Italy before his appointment as court painter to Ferdinand and Isabella. Rincon’s portraits of his royal patrons were at one time in the Church of San Juan de los Reys at Toledo, but they were destroyed during the wars with France. In the Royal Gallery of Madrid, putative copies of these portraits are preserved, and they show great force and individuality. But many of the works of Antonio Rincon, in the mannered Italian style, are of mediocre merit. A more powerful painter of Castile was Juan de Borgoña, who laboured with Rincon upon the jasper steps of the wonderful Gothic retablo in Toledo Cathedral. Some of Borgoña’s frescoes have perished; but in the Prado Gallery at Madrid there are several pictures, attributed to an unknown artist, which are probably the work of this painter.