“The Signorina is the veriest Italian of us all,” cried Lisetta.
“She honors our Italy,” called Mae’s last partner.
“Her feet are those of a chamois,” said one from the north.
“Nay, she flies,” replied another.
They all spoke in their earnest manner, and the praises, that fall in
fulsome flattery in English, were delicate and stimulating as they
slid in soft Italian from their full, red lips. Mae tossed her head
carelessly, but she sipped the praises and found them sweet.
“Now for the Tarantella,” said the padrona, so Lisetta shook her
tambourine wildly, and the very prettiest girl of them all, and a big,
brown boy (happy fellow!) began that coquettish bit of witchery. The
pretty girl tripped around and around and wreathed her arms over her
head, and the boy knelt appealingly and sprang up passionately again
and again, until the clock struck ten, and the party broke up. Mae
shook hands with a new friend. He was a stone-cutter, and was soon to be
married, and he poured out all his plans and hopes into her sympathetic
ears, and told of his pretty bride to be, and of her dowry. Mae, in
turn, sent her love to the happy bride, and took a charm from her
watch-chain to go with it, a tiny silver boat, and she sent it with a
hope that some day they might both sail over to America. At which the
bridegroom shook his head very decidedly, and kissed Mae’s hand and
bowed himself out. Then, after she had disrobed her of her borrowed
plumes, all the others kissed her hand and bowed themselves out, and
Roberto and Giovanni awaked, and got up from the corner, and stood on
their heads and hallooed as loud as ever they pleased, and the evening
was over, and Lisetta and the padrona and the boys and Mae were alone.
“Oh, oh, oh,” cried Mae, “how perfectly perfect. Do you always have such
good times as this?”
“At home, yes,” replied Lisetta, folding her hands and smiling. “We have
many a play-day on the bay of Naples.” Then she roused herself: “Good
night, Signorina,” she said, “keep your ears open.”
Public-domain text, read in full here on John Shaqi.
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