Magic and FetishismHaddon, Alfred C. (Alfred Cort)
Religion
Magic and Fetishism
Haddon, Alfred C. (Alfred Cort)
Fetishism; Magic
The unenlightened mind does not discriminate between cause and effect,
and imagines that as like produces like, so a result can be attained by
imitating it. Hence arose =Mimetic= or =Symbolic Magic=, which, following
Dr. Hirn, is better termed =Homœopathic Magic=, which is occult influence
based upon a likeness between things (32, 282). On this was founded
the mediæval medical theory known as the Doctrine of Signatures, which
supposes that plants and minerals indicate by their external characters
the diseases which nature intended them to remedy.
It would be easy to give a large number of examples to illustrate
homœopathic magic, but a few will suffice. Thus the Euphrasia, or
eye-bright, was, and is, supposed to be good for the eyes, on the
strength of a black pupil-like spot in its corolla (70, 123). The yellow
turmeric, or saffron, cured jaundice. The roots of roses or their slips,
with their knots removed and set amongst broom, will bring forth yellow
roses (47, x. 70).
The influence of homœopathic magic can be traced in beliefs and practices
from the lowest savages to civilised nations. The magician who works
by similarities makes representations of things or beings, in order
to acquire an influence over them. By dramatic or pictorial imitation
heavenly bodies are influenced, rain is made, plants and animals are
increased, animals enticed to their destruction, human beings acted upon.
When it was wished to cause rain to fall in Murray Island, Torres
Straits, the rain-maker scooped a hole in the ground, and lined it with
leaves and placed in it a rude stone image of a man which had previously
been anointed with oil and rubbed with scented grass; then he poured the
decoction of minced leaves of various plants mixed with water over the
image—the image being so laid in the hole as to point to the quarter from
which the rain was expected. Earth was heaped over the image and leaves
and shells placed on the mound, and all the while the rain-maker muttered
an incantation in a low sepulchral tone. Four large screens composed
of plaited coco-nut leaves were placed at the head, foot, and sides of
the grave to represent clouds; on the upper part of each was fastened a
blackened oblong of vegetable cloth to mimic a black thunder-cloud, and
coco-nut leaves, with their leaflets pointing downwards, were suspended
close by to represent rain. A torch was ignited and waved lengthwise
over the grave; the smoke represented clouds and the flames mimicked
lightning, and a bamboo clapper was sounded to imitate thunder.
The rain was supposed to come when the decoction round the image was
rotten. The incantation consisted of enumerating various aspects of
certain forms of clouds. Rain could be made in this manner only by one
section of the community, and amongst these one or two men had a much
greater reputation than the others (29, vi.).
Public-domain text, read in full here on John Shaqi.
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